淡江大學機構典藏:Item 987654321/97068
English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 62857/95882 (66%)
造訪人次 : 4189982      線上人數 : 860
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/97068


    題名: Do You Know I am Looking at You? Visual Pleasure and Body Politics in Tsai Ming-Liang's Films
    作者: Wu, I-Fen
    貢獻者: 淡江大學英文學系暨研究所
    關鍵詞: urbanization;Tsai Ming Liang;alienation;sexual identity;homosexuality;desire;self;other;gaze
    日期: 2011-12
    上傳時間: 2014-03-16 10:16:54 (UTC+8)
    出版者: Bristol: Intellect Ltd.
    摘要: The thematization of the change in socio-cultural patterns as a result of urbanization is explored in many of Tsai Ming-Liang’s films. Tsai’s films often deal with urban alienation of a society in which people are emotionally blocked and seemingly afloat in a state of loss. A broader cultural discourse is provided through Tsai’s foregrounding of Taipei, which imparts a sexual connotation to modern people’s relationships, leading to the exploration of the collapse of conservative categories of sexual identity in modern society. Homosexuality, especially, has been coded primarily in Tsai’s films as a resistance to patriarchal constructions of sexual relations and a transcending of its repressive categories. In placing Tsai’s films within the discourse of homosexuality, I-fen Wu suggests homosexual desire, is not only a resistance to patriarchal disciplines, but contains a sense of fantasy and identification that projects manly role models as ego ideals. This essay intends to discuss the leading character’s pleasures and threats gained from looking at “male” figures on the screen, and the recognition of self in the male image, exploiting the viewer’s desire to identify with the person(s) that he sees as being similar to himself. Wu explores the concept of, “looking” itself in Tsai’s films as not just a pleasure or recognition of self but as a “dialogue of gaze.”
    關聯: Asian Cinema 22(2), pp.433-441
    DOI: 10.1386/AC.22.2.433_3
    顯示於類別:[英文學系暨研究所] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    index.html0KbHTML175檢視/開啟

    在機構典藏中所有的資料項目都受到原著作權保護.

    TAIR相關文章

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - 回饋