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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/94341

    Title: 書寫淡水 : 以中國文字發展空間組織形態
    Other Titles: Writing Tamsui : space morphology with Chinese characters
    Authors: 謝昆達;Hsieh, Kun-Ta
    Contributors: 淡江大學建築學系碩士班
    陳珍誠;陸金雄;Chen, Chen-Cheng;Luh, Jin-Shyong
    Keywords: 文字;地域主義;書寫經驗;紋理;場所;材料;詩性;氛圍;構築;Character;Regionalism;Experiences of Writing;pattern;Place;material;poetic;Aura;Tectonic
    Date: 2013
    Issue Date: 2014-01-23 14:22:53 (UTC+8)
    Abstract: 本研究的起始動機起始於研究者個人喜愛位於淡水河旁的二樓書店《有河Book》,書店裡的室內外空間之間佇立著一道玻璃詩牆,詩牆由書店的詩人朋友們所書寫。每位詩人心中若有所感就可以為淡水留下文字的痕跡,詩牆的文字陪伴著淡水河的風景,傾吐著屬於淡水發生過的故事,遺留下來關於淡水的隻字片語。希望透過從文字和詩句中的想像,喚醒或建立起對淡水場所的感官認知想像。藉由文字的感受性,以書寫文字出發,將文字視為一種對於淡水的想像經驗。


    The motivation of the thesis started from researcher''s personal affection of You-He Book, a second-floor bookshop near Tamsui River, in which a poetry glass wall covered with works of the poet friends stands between outdoor and indoor space. Every sense of a poet''s vibration has left trace to Tamsui; the text on the poetry wall accompanying the landscape of Tamsui River, pouring narrative, and remaining legacy of word phrases in Tamsui. The portrait in the writing and the poem sets a new launch of an anticipation of awakening or establishing imagination of sensation in local places; by literary impressibility, the writing could be treated as a kind of fantasized experience of Tamsui.

    In this research, the literary impressibility which based on Critical Regionalism forms the spirit of study. First, describing hidden words of Tamsui in the soul with the creation of calligraphic poem. Questing for concealed text by dialectical thinking of image and text; illustrating place contour by exquisite specialty of writing in spatial reception and cognition. Afterward, establishing a Tamsui text category through Chinese character classification with deliberation of the meanings of characters in local place is important aspect for this research.

    The design of this research has experimented the literary and spatial impressibility in three stages. In the first stage, the exploration mainly focus on Tamsui characters by composing poems as an implement of designing experimentation; to exhibit an attempt of responding the re-deliberate toward Tamsui literary space, the scheme base has framed by the drawing Ceci n''est pas une pipe of Rene Magritte, in which the concealed literary impressibility could be explored between lines. In the second stage, to reveal an intention of reflecting text with environmental occurrence, constructing the designs with “The Six Methods” which has initiated different Chinese characters with observation and classification, as well as quoting the viewpoint of Phenomenology and Critical Regionalism to precede a systematic classification of Tamsui script. In the final stage, searches for different locations of Tamsui with the reconsideration of subordinate object design, and imports the writing phantom into formalization. By individual emotion-projection and memorial reception, this research shaping the text-of-place with the regional impression —forming spaces by Chinese character and ‘The Six Methods’.
    Appears in Collections:[建築學系暨研究所] 學位論文

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