Chaosmos and Aesthetics: A Study of William Blake’s Works

淡江大學機構典藏 > 外國語文學院 > 英文學系暨研究所 > 會議論文 > Item 987654321/91656

jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/91656

题名:	Chaosmos and Aesthetics: A Study of William Blake’s Works
作者:	邱漢平
贡献者:	淡江大學英文學系
日期:	2013-07-08
上传时间:	2013-07-24 10:21:14 (UTC+8)
摘要:	The English Romantic poet William Blake (1757-1827) appears to denounce in his works the Angel, Heaven, Reason, Good, and soul while praising Satan, Hell, Energy, Evil, and body. As he asserts In The Marriage of Heaven and Hell, “Without Contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence.” He goes on to say, “From these contraries spring what the religious call Good & Evil. Good is the passive that obeys Reason[.] Evil is the active springing from Energy. Good is Heaven. Evil is Hell.” In these contraries there appear a series of terms that affirm the existing systems and the other set that reveals the vibrant unformed and untamed realities. In Blake, Deleuzian Aesthetics and the Digital, Claire Colebrook calls the former “the Scylla of rigid systems” and the latter “the Charybdis of mute chaos” (preface, xviii). This paper studies Blake’s works from the concept of chaosmos as Gilles Deleuze and Felix Guattari elaborate on in their What Is Philosophy?, with an emphasis on the creative power of chaos in reshaping and revitalizing the existing state of art. The value of using Blake’s works as the subject of study can be found in the light it may shed on the rise of aesthetics in English Romanticism.
關聯:	The Sixth International Deleuze Studies Conference
显示于类别:	[英文學系暨研究所] 會議論文

文件中的档案:

没有与此文件相关的档案.

在機構典藏中所有的数据项都受到原著作权保护.

TAIR相关文章

数据加载中.....