English  |  正體中文  |  简体中文  |  Items with full text/Total items : 49258/83761 (59%)
Visitors : 7139321      Online Users : 73
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/77731


    Title: Body Images and Politics of Affect in Hiroshima mon Amour
    Authors: Chiu, Han-ping;邱漢平
    Contributors: 淡江大學英文學系
    Date: 2012-06-26
    Issue Date: 2012-07-16 11:26:51 (UTC+8)
    Abstract: Hiroshima mon amour opens with a close-up of body. Two sets of body images alternate, with
    one about victims of the atomic bombing in Hiroshima and the other about a Japanese architect
    and a French actress in the act of love-making. The French woman shared with the Japanese man
    the memory of how she was brutalized by the death of her first lover, a German soldier of the
    occupying force stationed at her home town, Nevers, and by the townspeople’s retaliatory act of
    shaving her hair and her parents keeping her in a basement. Set fourteen years after the end of
    World War II, Hiroshima mon amour reveals the frequent shift between what Deleuze calls
    “peaks of present” and “sheets of past” in Cinema 2: The Time-Image, allowing the war
    memories and images of atomic bombing victims to interpenetrate, and the virtual past and the
    actualized present to alternate. This paper uses the images of this film to delve into the ethical
    view of body. As Deleuze states in Expressionism in Philosophy: Spinoza, “every body extends
    its power as far as it can” (269). Based on this ethical issue, the paper will explore a key
    dimension of the politics of affect, that “we live cut off from ‘what we can do’” (269). Combining
    Deleuze’s film studies and his views on body and affect, this paper will explore Deleuze’s
    relevance to the emerging debates among philosophy, science, and art as embodied by Hiroshima
    mon amour.
    Relation: Fifth International Deleuze Studies Conference, Deterritorializing Deleuze.
    Appears in Collections:[英文學系暨研究所] 會議論文

    Files in This Item:

    There are no files associated with this item.

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback