最後一章歸納賴聲川與莫努虛金的創作思想及其菁華，並指出集體創作和即興創作實為兩個工具，並實行了「抓住瞬間」與「和演員一起創作」等兩大特點來完成其作品。 Comparison of the thesis of collective improvisation in Lai Sheng Chuan and Araine Mnouchkine How would you compare writing techniques and use their masterpiece: "Peach Blossom Land" and "1789" to be an example. Definition of collective improvisation from start to elaborate the historical development of the longitudinal collective improvisation in France and Taiwan''s main development process.
Lai Sheng Chuan Chapter of collective improvisation, to start, structure and process, aesthetics, and personal characteristics of the four points for the horizontal analysis. And "we are all so grown up" and "Peach Blossom Land" as an example to explain their creative process and techniques to show.
Chapter III of Mnouchkine collective improvisation, to initiate, structure and process characteristics and aesthetics of the four major points for the horizontal analysis. And to "1789" as an example to explain their creative process and techniques to show.
Comparing Chapter IV, "The Peach Blossom Land" and "1789", through to the Lai Sheng Chuan and Mnouchkine understanding of collective improvisation, to examine similarities and differences between the two works. And through the director''s aesthetic, the creative process of collective improvisation, data files and devices, four stage, to resolve how the two directors of the aesthetic concept presented in the works.
The final chapter sum Lai Sheng Chuan and Mnouchkine and the essence of creative thinking and collective creativity and improvisation that is actually two tools, and implementation of the "seize the moment" and "and the actor with the creation" to accomplish its two major characteristics of such work.
