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    題名: 織理性建築 多層次空間結合架構之研究
    其他題名: A research on architecture textile:multi-layer structure of space
    作者: 榮挺鈞;Rhung, Ting-chung
    貢獻者: 淡江大學建築學系碩士班
    陳珍誠;Chen, Chen-cheng
    關鍵詞: 編織;織理性;層次;風格;形式主義;數位建築;分子學;拓樸學;系統;Knitting;Textile;Layer;Style;Formalism;Digital Architecture;Molecular Science;Topology;System
    日期: 2010
    上傳時間: 2010-09-23 17:30:04 (UTC+8)
    摘要: 設計風格對於建築,一直是個有趣且不斷被挑戰的問題。不同的地區、國家、與文化,都試圖找出專屬於自己的建築特色與風格。有人認為風格來自於所謂的文化符號,有人認為建築的風格來自於營建系統,有人認為風格來自於構築。然而在現代主義興盛以前,普遍的對於風格的認知是來自於傳統文化的傳承。拜現代主義之賜,人們逐漸脫離了「從傳統中尋找風格」的想法,而試圖追求過去從未曾見過的各種不同風格。不論是在台灣或是世界各地,都試圖以新的建築風格營造新的特色,以達到所謂的設計創意。
    Style in architecture is a very important issue and has been challenged continuously. Different regions, countries, and culture in the world are trying to find their own architectural characteristics. Some people think that the style of architecture is from the cultural symbols, tectonics, or construction systems. Before modernism flourished, the general perception of the style is from the traditional culture heritage. However, Modernism provides the idea of style gradually from “the re-findings of the past” to pursuing different styles which have never been discovered in the past. All around the world are trying to create a new design features in order to achieve the design creativities.

    Information-exchanging has been growing rapidly in the Digital Era, the way people live and the values of aesthetic have been changed fast too. Together with digital technologies and progresses, people have been able to achieve the architectural forms and spaces that can not be constructed in the past. In general, the focus of architectural design has been shifted from the discussion of functionality to the construction and simulations of distinguishing forms. These distinguishing forms include organic forms from the nature as well as new artifacts crafted from the new technologies. Sculpture and textile are two important issues have been discussed extensively, since these two art-performances shared similar process and visual effects similar to architecture. However, the discussion of archi-textile has been limited on two-dimensional decorations on planar-surface, and archi-textile does not affect the design of three-dimensional spaces too much in consequence.

    Weaving is a great knowledge, has relationships with other disciplines. This study attempted to find out different methods to apply weaving in the design of spaces. Firstly, mathematical array, geometry,, and physics approach have been taken to identify the composition for the various weaving methods, thus the diagrammatic patterns of textile are induced for understanding these structures, and are applied to the design of new patterns. Secondly, apart from the planar-weaving, this research also tries extend weaving into a more sophisticated level, combining with different surfaces to form more complex surfaces. Finally, different units are composed into the three-dimensional space to perform the concept of archi-textile in the space. In the final design stage, the discussions are following the steps of weaving with line, weaving on the plan, matrix-based weaving, and weaving in the three dimensions. Conclusions are made according to the relationships between the archi-textiles in the space and the related social behaviors, as well as the problems and limitations for applying archi-textiles in the design of space and its construction.
    顯示於類別:[建築學系暨研究所] 學位論文


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