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    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/52208


    Title: 李碧華長篇小說中的女性書寫
    Other Titles: The study of female writing in Li Bi-hua’s novel
    Authors: 翁慧娟;Weng, Hui-chuan
    Contributors: 淡江大學中國文學系碩士在職專班
    呂正惠;蘇敏逸
    Keywords: 李碧華;長篇小說;女性書寫;LI BI-HUA;Novel;Female Writing
    Date: 2010
    Issue Date: 2010-09-23 17:12:09 (UTC+8)
    Abstract: 李碧華以一位女性作家的立場,結合專欄記者、電影編劇等多重經歷,在她筆下構建出無數的有情男女,其著作豐富,受到廣大讀者喜愛。本論文以李碧華長篇小說作為研究範疇,採資料蒐集、文獻探討、以及文本分析進行討論,探究其筆下女性形象的特質、女性人物的情愛觀、女性意識及情慾書寫,擴大鑑賞的角度。
    第一章是緒論,主要在闡述本論文的研究動機及目的,針對前人研究進行文獻分析、界定文本的選擇範圍,並對李碧華的生平及作品中的流行文化現象進行探討。
    第二章討論李碧華長篇小說中的女性命運及形象,從文本中可歸納出李氏筆下的女性在身世方面多為無根飄零的命運、感情、身心受創,故在女性角色的形塑有著較灰暗的色彩。
    第三章探討作品中的女性情愛觀,涵蓋女性對愛情的堅貞、勇敢追求,被背叛及復仇等多重觀點。
    第四章則著重在分析小說中的女性意識及情慾書寫,討論女性叛逆心靈到多重視角中的女性、女性自主與依附關係的分析,及女性情慾自主等議題。最後總結李碧華長篇小說在女性書寫上的定位及貢獻。
    Li Bi-Hua, also known as Lilian (Lillian) Lee, is a female novelist, a columnist, as well as a screenwriter. With her multiple experiences, she has developed plenty of affectionate male/female characters, and created many popular and beloved works. This dissertation mainly focuses on her novels, applying the research methods of data collecting, literature analysis, and textual analysis, to study the characteristic and the viewpoints on love of her female images, women consciousness, and erotic writing, which broaden the appreciation perspectives toward her works.
    Chapter One introduces the research motive and purpose, defines the scope of text selection by the literature analysis of previous studies, and explores the pop culture phenomenon in her life and works.
    Chapter Two discusses the fate of women and the female images in her novels. It can be summed up from the context that most of Li’s female characters have rootless and wandering fates. Moreover, most of them experienced emotional and physical trauma. Those are how she shapes her female characters in much more gloomy tone.
    Chapter Three explores the viewpoints of women in love. There are multiple perspectives of women’s resolution and chastity to pursuit love, of women’s revenge after being betrayed.
    Chapter Four analyzes women’s consciousness, passion, and sexuality in her novels; it also discusses women’s rebellious spirit. Furthermore, it analyzes female subjectivity versus attachment, and the sexuality autonomy of femininity. Lastly, to conclude the positioning and the contribution of Li’s novels to female writing.
    Appears in Collections:[Graduate Institute & Department of Chinese] Thesis

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