在父權制社會中，男性居於主導的地位，女性則附屬於男性，男性根據自我主觀的意見塑造女性的形象，而往往是帶有對女性的偏見與歧視。西班牙作家塞拉《杜瓦特家族》(La familia de Pascual Duarte)與臺灣女作家李昂的《殺夫》，兩部不同類型也不同寫作立場的小說，其中的女性形象卻同樣反映出父權對女性的剝消與壓迫。因此本文將運用女性主義文學批評理論嘗試去揭露兩部小說中的父權意識，從女性意識的角度去分析及解讀兩位作家筆下的女性，發掘她們在有意識或潛意識中被漠視或被扭曲的女性經驗。經由這樣的研究結果發現，在東西方不同文化，女性仍無法擺脫傳統的性別框架，而與男人等同視之。 In the patriarchy society, men are in a dominant position while women in a subordinate one. Men created female images by their subjective point of view, with discrimination and prejudice against women. The family of Pascual Duarte by Cela and The Butcher’s wife by Li Ang are not the same type novels with different standpoint, but those female images in both of them seem to have been deprived and oppressive by the patriarchy. Therefore this study intends to reveal the patriarchy consciousness in those two novels by applying the feminist literary criticism. And analyze those female characters from a feminist point of view to find out those women’s experiences which have been distorted or ignored consciously or unconsciously by authors. The conclusion shows that woman whether in the east or west is inferior to men, and gender equality between men and women is still far from achieving.
