English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 62797/95867 (66%)
造訪人次 : 3737425      線上人數 : 346
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/50301


    題名: Sustaining Jouissance: Commercial and Heian Modes of Intertextuality in Tanka by Tawara Machi
    其他題名: 保持暢爽:俵萬智短歌中的商業與平安時代互文性的模式
    作者: Brink, Dean
    貢獻者: 淡江大學英文學系
    關鍵詞: ESSAY;CLASSICAL poetry;WAKA;JAPANESE poetry;MACHI;Tawara;論文;傳統詩歌;和歌;日本詩歌;俵萬智
    日期: 2008
    上傳時間: 2010-08-09 15:14:53 (UTC+8)
    出版者: Durham: Duke University Press
    摘要: This essay argues that Tawara Machi's poetry both sustains the intertextual bias of classical court poetry and uses it to incorporate some of the most ubiquitous texts of our age: advertising and other consumer discourse. Tawara's reinvention of contemporary tanka is based on the application of the conventional matrices of associations in classical poetic language to contemporary consumer-oriented intertexts. Foregrounding intertextuality provides a means of gauging premodern and modern texts in terms of multiple modes of textuality, canons, and cultural assumptions in Japanese verse. Roland Barthes's analysis of fashion discourse provides a specific critical apparatus for situating Heian poetics and consumer discourse on common ground. I borrow his insights on how classes of commodities and language concerning their uses enter into creative cross-referencing, in a way that resembles how premodern tanka attributed qualities according to seasonal and other (formally and informally) classifiable associations. While the Heian mode forms the template, Tawara's poetics is shown to operate in precisely this ahistorical consumer mode, passively absorbing and reflecting dominant mediaprojected attitudes. While thematically arranged, usually in sequences more or less centered on romantic entanglements, these poems reflect the rational, national, industrial capitalist environment and its totalizing effects. Critical lines of escape are left only in the force of fresh juxtaposition of words and consumer items, thus providing a contained sandbox for aesthetic play without endangering corporate decorum and sponsorship. A running theme in her tanka is the ever-elusive partner in love, a motif providing the basis for the building up toward an always-deferred satisfaction, jouissance. By alluding to Heian serial relationships, she aestheticizes alienation from her partners on her dates. By echoing classical matrices of seasonal words, poetic places, and conventional associations in all stages of romance, her accounts of consumer objects carry their own advertised associations as well as a reified canonical force. Thus her verses expand the intertextual modality in premodern Japanese poetry seamlessly into consumer culture, and one must examine the subject being reproduced here. Slavoj Žižek is helpful in understanding the appearance of passivity in her positioning. Jouissance, in Žižek's Lacanian usage, is used to understand the mechanism by which Tawara personally and socially excuses herself from having to engage her material in a more critical way that would alter rather than simply reflect her media- and advertising-defined environment. Jouissance is the key to her postponement of personal intimacy as well as public involvement and, ultimately, to understanding her ahistorical poetics.
    關聯: Positions 16(3), pp.629-659
    DOI: 10.1215/10679847-2008-016
    顯示於類別:[英文學系暨研究所] 期刊論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    index.html0KbHTML19檢視/開啟

    在機構典藏中所有的資料項目都受到原著作權保護.

    TAIR相關文章

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - 回饋