本文綜合Bill Nichols對紀錄片再現美學的六種模式，分析自七０年代迄今台灣紀錄片歷史發展的類型，以及探討不同類型之間的可能性與侷限性。針對台灣紀錄片的發展，過份拘泥於寫實主義的典範，本文也試圖尋求更開闊的製作理念。 This article analyzes the genres of Taiwanese documentary since the Seventy's unto now utilizing the six modes of documentary production prescribed by Bill Nichols and discuss the possibilities and limitations among these different modes of documentary production. Since the development of Taiwanese documentary has clung mostly to the realism paradigm in the recent thirty years, hence this article would also try to explore and to search a broader concept of documentary production.
