English  |  正體中文  |  简体中文  |  Items with full text/Total items : 51510/86705 (59%)
Visitors : 8276470      Online Users : 87
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/41120


    Title: 台灣紀錄片的類型發展與分析-以Bill Nichols 的六種模式為研究基礎
    Authors: 王慰慈;Wang, Wei-Tsy
    Contributors: 淡江大學大眾傳播學系
    Keywords: 台灣;紀錄片;美學;製作模式;紀錄片製作;Taiwan;Documentary;Aesthetics;Production Mode;Bill Nichols;Documentary Production
    Date: 2002-12
    Issue Date: 2010-01-27 18:21:43 (UTC+8)
    Publisher: 臺北市:行政院文化建設委員會
    Abstract: 本文綜合Bill Nichols對紀錄片再現美學的六種模式,分析自七0年代迄今台灣紀錄片歷史發展的類型,以及探討不同類型之間的可能性與侷限性。針對台灣紀錄片的發展,過份拘泥於寫實主義的典範,本文也試圖尋求更開闊的製作理念。
    This article analyzes the genres of Taiwanese documentary since the Seventy's unto now utilizing the six modes of documentary production prescribed by Bill Nichols and discuss the possibilities and limitations among these different modes of documentary production. Since the development of Taiwanese documentary has clung mostly to the realism paradigm in the recent thirty years, hence this article would also try to explore and to search a broader concept of documentary production.
    Relation: 真實與再現:紀錄片美學國際學術研討會論文集,頁31-60
    Appears in Collections:[大眾傳播學系暨研究所] 會議論文

    Files in This Item:

    There are no files associated with this item.

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback