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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/41049

    Title: 臺灣紀錄片再現模式分析--以921地震紀錄片《生命》為例
    Other Titles: An Analysis on the Mode of Representation of the Documentary in Taiwan--Take “Life” from 921 Earthquake Documentary Series Works as an Example
    Authors: 王慰慈
    Contributors: 淡江大學大眾傳播學系
    Keywords: 臺灣紀錄片;紀錄片美學;再現真實;解說模式;詩意模式;展演模式;反身自省模式;虛構的;Taiwan documentary;Documentary of aesthetics;Representation of reality;The poetic mode;The expository mode;The observational mode;The participatory mode;The reflexive mode;The performative mode;Fictional
    Date: 2006-04
    Issue Date: 2010-01-27 18:16:56 (UTC+8)
    Publisher: 台灣藝術大學
    Abstract: 以往台灣紀錄月受約於傳統再現真實的美學觀,大致採以大量旁白、訪談、搖晃、紀實、大量插入舊素材畫面等等風格作為詮釋觀點。本篇論文企圖以Bill Nichols 2001年的紀錄月理論為架構,探討2004年在台灣紀錄月造成極大迴響的《生命》,其再現模式的運用,以及敘事語言之突破的可能性。導演吳乙峰如何使用解說的、展演的、反身自省的再現模式挑戰內心的真實世界,如何將主觀的記憶與經驗,以想像性、自由性、辨證性的記錄語言,展開個人情感化的敘述,藉以引發電影啓發性之特質。
    Relation: 藝術學報 78,頁79-100
    Appears in Collections:[大眾傳播學系暨研究所] 期刊論文

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