資料載入中.....
|
請使用永久網址來引用或連結此文件:
https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/34716
|
| 題名: | 縫隙中的荒野 |
| 其他題名: | The reality aesthetics of wilderness & wildness in urban chinks |
| 作者: | 陳宏銘;Chen, Hung-ming |
| 貢獻者: | 淡江大學建築學系碩士班
陳珍誠;Chen, Chen-cheng;蘇睿弼;Su, Ruei-bi |
| 關鍵詞: | 荒野;形態學;有機城市;非制式;能動性;建構式設計;Wilderness & Wildness;Morphology;Organic City;Non-Standard;Agent;Constructional Design |
| 日期: | 2006 |
| 上傳時間: | 2010-01-11 05:32:02 (UTC+8) |
| 摘要: | 城市空間的縫隙中潛藏許多生命，以生存為目的適應著都市化的改變。相對於空間，縫隙中的生命不是物質而是一種城市的動態描繪。在現代主義與資本發展的壓縮下，自然被都市取代，都市空間各部分在追求現代化的過程中獨力發展著，卻也產生彼此疏離關係下的縫隙。透過觀察縫隙中的生存地景–「荒野」所描繪出的城市是真實生活的場景，反應著城市中被遺忘的生活。不同城市的縫隙地景是不同的，透過在縫隙形態差異的觀察，可以了解城市文化與地理發展的矛盾與地域性價值。
20世紀「後」學在地理學、美學、社會學、文化地理學等相關領域發酵。跳脫過去既有的神學、資本中心的封閉思考，開始探索人與環境、社會的疏離關係。多元解讀的方式解構了空間、社會脈絡的層級關係，轉向個人化的游牧過程。而縫隙中的荒野在社會成長演進中的角色，扮演著非制式化的機能介入，有機動態的成長過程。
透過自然網絡的觀察了解到「縫隙」在制式化的空間、環境意義系統中，所衍生整體性的激盪，也就是本研究中所指稱的「荒野的能動性」。基於以上的觀點，本研究針對於相關的案例加以整理。過程中，以自我辯證的方式，藉由假設性的設計實驗作為驗證與發現的建構式設計過程，以彌補生活經驗上的不足。設計行動與實驗的過程，也進一步提昇設計的社會溝通。
本研究的設計企圖以四種方式來自我辯證：一、直接針對論述的問題，以假設性的設計回答。二、選定基地，針對環境的條件、既有空間的文本，以前述的立場做出設計動作。三、選定一個人工與自然交界的地方，以設計再現地方的特質並自我提問。四、綜合以上的觀點，以設計表達階段性的立場陳述。最後，希望設計能藉由對環境的建構過程中，進而與空間、時代、社會背景對話，達到適度設計或是基本價值的釐清。
There are many lives living in the chinks of city, adapting to the change of urbanization to last their existences. Opposite to human space, lives in the chinks are not materials, but dynamic livings of a city. Under the compression of modernism and development of capital, nature is replaced by city. n the process of aspiring for the modernization, every part of the city solely developed; yet accompany with the chink in relationship between each other. With the observation of the exist landscapes in the chinks, what “the wild” represent is the scene of the real life, reflects the forgotten lives in city. The landscapes in chinks are different from cities. Therefore, with the observation of the differentiation in chinks may get an understanding of the value and contradiction between city culture and the geographical development.
The “Post-scholarship” in 20th century had influenced the geography, esthetics, sociology, cultural geography, and other related fields. It abandoned the conservation of the theology and capital-centralization, and started to concern the distant relationship between people, environment and society. Diversified explanations deconstruct the hierarchy of the space and social relationship, and turn to the nomadic process of individuals. The wild in chinks play the role as the growing process of non-uniform functions intervene the organic movement into the evolution of society.
With the observation of the natural net, the inspiration to the entirety that “the chinks” bring up from the regular urban space and environmental systems is what called “the wild movement” in this study. Based on the viewpoints of above, this study collected and analyzed the related cases. During the research, with self dialectic, I take the design experiments as testifying and discovering process of constructive design, to make up the insufficient of self-experience. Moreover, this research goes through the process of design actions and experiments to support the social communication of design.
In this study, I tried to self-dialect with the research issues in four ways: 1. Answer the question by the design assumptions directly. 2. Decide the sites, and design the actions under the standpoints as above according to the conditions of the environment. 3. Pick up a place that at the edge the artificial and nature, reveal the characteristics of it. 4. Integrate viewpoints above, and state the periodical conclusions by design. Finally, this research anticipates that the designs can further communicate with the space, the time, and the social background through comprehension of the environment, and the adequate designs and their basic value for the defined issues. |
| 顯示於類別: | [建築學系暨研究所] 學位論文
|
文件中的檔案:
| 檔案 |
大小 | 格式 | 瀏覽次數 |
|---|
| 0Kb | Unknown | 298 | 檢視/開啟 |
|
在機構典藏中所有的資料項目都受到原著作權保護.
|
