以影像對於真實世界的摹本，所具有複製原物的能力，強調出我們平常看的見卻看不到的部分，透過攝像的取鏡與取材，透視事物與現象的關聯，連結本我的經驗與價值，創造與地點的連結。這是以探討淡水正經歷新市鎮開發、捷運老街觀光化與消逝的舊地紋理為背景的論文，在對照自身淡水生活的經驗中，所觀察的人物、事件、場所集結而成的經驗，以一種非政治、非史地、非正文的方式，由下而上的觀察所演繹的設計操作試驗。其目的在探索自身與基地互動的經驗，凝視快速變動網域下的淡水，對於地點感知、自我辨證與反應到空間場域的藝術表現之探討，相信現象通過意識與某種獨特性的解讀與組合，能探觸到生活本質的不同面向，並以實際的建築設計作為集結此文本的表徵，形成一系列可意象性的瞬時地景藝術。期望以此研究對於呈現地點文本的設計方法，有進一步的嘗試與收穫。 This research uses the ability of facsimileing original objects of photo to emphasize the visible parts that we can’t see in daily life; and sees through the relationship between things and phenomena, connects the experience and value of id and creates the connection with places via photography framing and material seeking. This is a thesis discussing Danshuei experiencing the new town development, MRT old street tourization , and the background of disappearing old site lines; and contrasts the experience of observing people, matters, and places when living in Danshuei to operate and test the deduced design via nonpolitical, non-historical and non-geographical, and non-textual methods, and bottom-up observation. And, the purposes of this research are to explore the interactive experience between exploration itself and bases; stare at the Danshuei under rapidly changing domain; discuss the art performance of regional perception, self-recognition and reaction, and space domain; believe phenomenon could touch the different aspects of life essence via the unscrambling and combination of consciousness and certain uniqueness; and take actual architecture design as the symbol of collecting this text to form a series of imaginable momentary landscape art. We also expect that this research could have further attempts and harvest on the design methods for presenting regional text.
