並不支持傳統一分為二黑白判斷觀念的我，或許對於把自身放置在一個灰色模糊地帶更能貼切現象中的真實。就如同感覺是很漫不經心、隨性自我、毫無根據，但是它的這一個特性正好符合去觀看這一個沒有對錯、沒有是非，只有現象的模糊世界。總而言之，全文論點是把「感覺」當作一個人格角度，與都市空間對話，試圖尋找新的可能。 Architecture is a method of communication, and values come out in the process of self-acceptance and others’ approval. The role of “feeling” is an art of trusting ourselves and earning identification of others. Without the sense of feeling, architecture is just like machine after all.
However, professionals nowadays seem to pay more attention to technique, instead of feeling. Although the technique makes progress indeed, the humanity concern is lost. The affection toward the world is gone, too.
I try to alter the general writing format here, describing buildings and city as a form of novel. Regardless of consideration to power or benefit, the attempt is to search for the demand of city, as well as to provide a space that can be identified and accepted.
The discourse of architecture can be lively and complete only in this context of writing. For the time being, I call it " Structure of Feeling".