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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/34466

    Title: 藝術電影迷與台灣電影消費階層化現象之研究 : 以布迪厄(Bourdiue)文化社會學為研究取徑
    Other Titles: Art film fans and the stratification of film consumption in Taiwan : using Bourdieu's sociology of culture as a research approach.
    Authors: 吳廷勻;Wu, Ting-yun
    Contributors: 淡江大學大眾傳播學系碩士班
    魏玓;Wei, Ti
    Keywords: 布迪厄;迷研究;閱聽人;文化消費;階層化;台灣電影;Bourdieu;Fan study;Audience;cultural consumption;stratification;Taiwan cinema
    Date: 2006
    Issue Date: 2010-01-11 05:17:51 (UTC+8)
    Abstract: 本論文企圖瞭解並分析當前台灣藝術電影消費文化的形成脈絡背景,以及藝術電影迷的社會特徵和文化實踐。另一方面則從傳播研究中閱聽人分析的反省出發,藉用法國當代社會學家布迪厄的文化社會學理論,以其強調結合結構(客觀)和行動(主觀)的研究取徑和分析架構,作為適當的理論和分析工具。



    The thesis aims to understand and analyze the formation of the consumer culture of art film in Taiwan as well as the social characteristic and cultural practice of art film fans.

    Additionally, based on a critical review on the audience research tradition in communication studies, the thesis takes contemporary French sociologist Bourdieu’s cultural theories, of which the research approach and analysis framework effectively combine structure/objective aspect and agent/subjective aspect of the human society, as an appropriate theoretical and analysis tool.

    The evidence illustrates that cultural practice of art film fans is closely linked with the structure and related fields in the social space. They possess dominant position in the field of film consumption by developing a set of symbolic structures through their fan practice.

    Even though art film fans seem to act freely in the field of art film consumption, the limits set by structures still exist. The material base and symbol system, which constitute the field, will to some extent condition the fan’s actions. Meanwhile, by the inter-exchangeable logic of the homology between social field and cultural field, the economic capital and cultural capital are distributed unequally to social agents in different positions and that therefore causes stratification of film consumption in Taiwan.
    Appears in Collections:[大眾傳播學系暨研究所] 學位論文

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