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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/34461

    Title: 解構八0年代校園學生電影:類型、性別、國族認同
    Other Titles: Deconstruction of teenager-campus films in the 80's: genre, gender and national identity
    Authors: 潘素慧;Pan, Su-hui
    Contributors: 淡江大學大眾傳播學系博士班
    楊明昱;Yang, Ming-yu
    Keywords: 校園學生電影,電影類型,男性氣概,國族認同;Teenager-Campus Film,Genre,Masculinity,National Identity
    Date: 2007
    Issue Date: 2010-01-11 05:17:37 (UTC+8)
    Abstract: 校園學生電影曾是八0年代台灣製片的主流,這類型的電影描寫中學生的校園生活,透過青少年的成長描述當時的社會文化,但台灣電影的學術書寫脈絡中卻從未替校園學生電影做整理。
    Teenager-Campus film, which explains the struggle between adults and young-adults, was once the main stream of Taiwan’s film industry in the 80’s. The characters of this kind of film are mostly constructed by the male from Mainland, who was born in military family. And it also displays a prodigious atmosphere of a very particular period. However, in the academic discussion of Taiwan’s cinema, Teenager-Campus Film has been ignored for a long time.
    In order to explore the significance of Teenager-Campus Film in the 80’s, the writer tries to analyse the construction of the masculinity and national identity by drawing on post-formalism and Anderson’s nationalism.
    The main idea of this thesis is built by a powerful patriarchy. The teenagers in the movies identify themselves with their military fathers, drillmasters and directors of discipline who own the legal power to discipline their gender subjects. Also, they construct their masculinity from peer group. Moreover, Teenager-Campus film focuses on comradeship between male teenagers, which represent the images of Mainlander male as well as gang, and further, extend the loyalty to the agnate and the nation.
    Appears in Collections:[大眾傳播學系暨研究所] 學位論文

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