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    Title: 陳珊妮的完美呻吟 : 論台灣流行音樂中女性意識的抬頭
    Other Titles: Sandee Chan's perfect groan : the rise of female consciousness in Taiwan popular music
    Authors: 劉欣芸;Liu, Hsin-yun
    Contributors: 淡江大學大眾傳播學系碩士班
    楊明昱;Yang, Ming-yu
    Keywords: 陳珊妮;流行音樂;女性主義;獨立唱片;Sandee Chan;Popular music;Feminism;independent labels
    Date: 2006
    Issue Date: 2010-01-11 05:17:02 (UTC+8)
    Abstract: 台灣流行樂壇鮮少有主張女性意識的歌手,陳珊妮在2005年金曲獎成為第一位拿下最佳製作人的女性,這在以前是不可能的事,女歌手很多,但多處於末端表演者,但近年有越來越多在幕後表現傑出的女性音樂人冒出頭來,這些轉變促使筆者認為陳珊妮有多方面的經驗可供我們參考與觀察台灣現階段音樂文化中的性別問題。

    經由對陳珊妮及其作品的觀察與分析,本研究發現女性音樂工作者在以男性為主的製作環境中,唯有不斷的學習以及親身接觸每一製作細節才能握有更多權力與自主權,這也是女性意識與個人魅力的主要來源,只有確實了解每個環節,才能以專業性跟他人競爭。陳珊妮在創作中有意識地提問,正好提醒女孩們其實並不孤單,因為有太多與你抱有相同疑問的人,只是她們不敢發聲而已,藉由陳珊妮的發聲,讓更多人正視許多社會性別問題的存在,她絕非單一事件,而是總體社會現實的一隅。在陳珊妮的歌詞意境中,我們可以很精楚看到她試圖用不同的論述策略重新去界定所謂的女性經驗,並賦予女人各種不同的價值,以突破刻板的兩性形象。陳珊妮的情歌中,企圖型塑面對愛情時勇於表達自我的主體,並再現各種異質女性經驗。直率反省的生活態度呈現出都會女性的社會觀察,尤其對女性情慾書寫也突破以往含蓄保守的風格,營造出多變複雜的現代女性風貌。
    Compare to western female singer singing feminism. There are few singers stand for “female consciousness” in Taiwan. Sandee Chan became the FIRST female musician who received “the best album producer” at 2005 Golden Melody Awards, which is impossible in the past. There are many female music performers, but they never attend the key position in music business. However, there are more and more excellent off-stage female artist becoming famous. These conversions make me think that Sandee Chan is a good subject to observe the gender issues in present cultures of Taiwan music.

    To observe and analyze Sandee chan and her works, the study we found, only consistent learning and understanding every detail in process of produce, women can get more power in an environment surrounding manhood. Only confirm every detail that women can compete against men with profession. Sandee Chan’s creative works remind girls that we are not alone. Because there are too many girls have the same problems. Through Sandee’s sound, it makes more people face the exist of social gender problems. These problems are never the single events; they are parts of social fact. We can see Sandee trying to redefine so-called “female experiences” with different discourse strategies. These strategies give women different values and break the stereotype of gender images.
    Appears in Collections:[Graduate Institute & Department of Mass Communication] Thesis

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