歷來研究者雖認為王陽明心學的重要性，但對於他美學向度的探究卻無相應的研究成果出現，最主要原因是被既有「自然人性論」的典範所限制。王陽明具有美學思想嗎？這一提問將觸及「心學美學」這一論域能否成立的問題，因此如何建立「心學」、「美學」兩個不同領域的關聯性時，嘗試提出「中介說」來嵌結兩者之間的關係而有所論述。換言之，就王陽明美學思想之向度即建立在其「良知」作為「心學」、「美學」之中介而展開。 為了方便探究王陽明的美學思想，嘗試提出「良知體現論」的詮釋架構，此一架構對於「人與世界的關係」深具洞見，可作為不同思想家的研究基礎。根據所設定的哲學進路與詮釋架構，為充分展開其思想涵義，本文從「人格美」、「社會美」、「自然美」、「文學美」等觀點切入，進行陽明思想具有美學涵義的諸種論題進行搜尋，盡可能理解其作為中介的核心概念－良知－的意義，以豐富「良知體現論」詮釋架構的具體內容。其中還導進了「文獻典範轉移之解讀方法」讓相關論述更為清晰。 Though many researcher had pointed out the significance of Wang Yangming''s Neo-Confucian School of Mind in the past, they didn''t attion to a Study of the Aesthetical Dimension research outcome for us,the most reason is be limited in a paradigm of "nature human being". Wang Yangming''s the Wang Yangming''s Neo-Confucian School of Mind have the aesthetical dimension ？we must to find a intermediate concept to connections the Wang Yangming''s Neo-Confucian School of Mind and the aesthetics,this intermediate concept is " Liang-chih ".
In order to afford a new approach to apprehend this topic, this thesis tries to furnish a hereneutic structure of " Theory of Embodied Liang-chih ". This hereneutic structure will inlight relation between human and world,it is basic of to research a great Neo-Confucian.
This thesis tries to propose a" Theory of Embodied Liang-chih ",will from four Perspective：beauty of personality, beauty of sociality （shehuimei）, beauty of nature（ziran mei）, beauty of literature, and take the methodology of paradigm shift interpretation.
