王魯彥鄉土小說研究

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題名:	王魯彥鄉土小說研究 1920-1930 years is an era when regionalism was a dominant theme in Chinese literature. After the May Fourth Movement, the traditional agricultural society was slowly transformed into a modern, industrialized one. Many regional writers with rural background chose a path to an urban, modern civilization and actively embraced modern wave of new ideas and culture. When they looked back to their hometown, what they saw was the bleak and underdeveloped part of the society with people living in extremely barrenness and depression materially and spiritually. This kind of contrast led these writers to a strong sense of traditional criticism. Wang Lu-Yan(王魯彥), a nativist writer from Zhenghai(鎮海), Zhejian(浙江) illustrated the bitter lifestyle of seaside rural villages with descriptive touch. His works were successful narration on the destruction of the rural self-sufficient economy by the invasion of industrial civilization and capitalism. They were also the reflection of people’s state of mind when the industrial civilization crushed rural economy. Furthermore, through the overall illustration of his description of the rural life and his nostalgia to the childhood memory, readers have a clear picture of the lives of those who belong to the lower class of the society and the folk custom of spiritual dependence on the land. Images of the folk life in the Chinese modern society were presented. Chapters of this essay follow Wang Lu-Yan’s nativist writing stages—“Pomelo,” “Gold,” “The Angry Rural Village,” and ‘patriotic writing during the resistance war against Japan.’ The analysis of his novels of different genres. Crave for with this research chance through his writing, words that were charged with regional characteristics, this is a rediscovering of the general illustration of his contemporary rural society in the eastern Zhejian region in China.
其他題名:	The research of Wang Lu-yan's local novels
作者:	張鎰麒;Chang, I-chi
貢獻者:	淡江大學中國文學系碩士在職專班呂正惠;蘇敏逸
關鍵詞:	王魯彥;五四時期;浙東地區;鄉土小說;Wang Lu-Yan;May Fourth Era;The Eastern Zhejian Region;Local Novels
日期:	2008
上傳時間:	2010-01-11 05:15:53 (UTC+8)
摘要:	一九二十到三十年代正是中國文壇上鄉土小說盛行的年代。在五四運動後，中國開始緩慢的由傳統農業型態轉變為現代工業文明，許多出身於鄉村的鄉土作家走上奔赴城市及現代文明的道路，積極追求現代新思潮與新文化。當他們的目光回視家鄉時，看到的是家鄉社會的衰敗與落後，物質生活的嚴重貧乏和精神生活的極度萎靡，這樣的反差，讓這些作家們產生了強烈的傳統批判意識。一位來自浙江鎮海的鄉土作家──王魯彥，他以細膩的筆致描繪出濱海農村的悲苦情調，成功地描寫出家鄉被外來工業文明入侵和商業資本出現造成鄉村自足式小農經濟的破壞，反映出工業文明打碎鄉村經濟時人們的心理狀態。此外，綜觀他的小說中對鄉土生活的描述與對家鄉、對童年記憶的留戀，我們清楚地看到生存於社會下層人民的生活狀況，及他們精神信仰寄託於土地的民間習俗，呈現一幅中國現代社會的生活風情畫。本論文依王魯彥的鄉土創作歷程區分為：「柚子」、「黃金」、「憤怒的鄉村」和「抗戰愛國文學」等四個時期，並進行他各類小說的析論與特色探討。希冀藉此研究機會，從他多元的創作題材和濃郁地方色彩的文學作品中做一廣泛探討，重新認識當時中國浙東地區鄉土社會的基本風貌。
顯示於類別:	[中國文學學系暨研究所] 學位論文

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