2006年12月，鐵凝以高票當選繼茅盾、巴金後的第三位作協主席，同時也是第一位以女性身份當選的作家。發揮其對自我身份的關懷，鐵凝在中、長篇小說中多以女性作為主要敘述對象。〈哦，香雪〉所傳遞那份簡單的清新，是鐵凝給人的第一印象；《玫瑰門》中所展示真實的醜陋，則是鐵凝所呈現的另種風貌，這極為對比的敘事手法，同樣也出現在鐵凝的女性題材創作中。本文以文本研究為主，女性主義理論為輔，小心應用理論、避免成為套用理論之濫觴。 本文共分六章。第一章為緒論、介紹鐵凝創作生長背景及前人研究；第二章則以生命體驗為主要分類規則、對鐵凝筆下女性分類為知青型女性、文藝型女性、甘草型女性；第三章針對較為負面形象的女性，以惡女為主題，探討那些欲挑戰規範的女性；第四章承續第二章的分類，發現鐵凝在三種類型女性的愛情上也展現對比的筆法；第五章則探討文本中所呈現的不正常的性關係如外遇、第三者、性交易等；第六章則以活躍、擁有自我的女人以及隱聲的男人做為結論。 In December 2006, Tie Ning was elected the third Chair after Mao Dun, Ba Jin with the first time by feminine status. Displaying concern to self-status, Tie Ning takes the female to main narration object in her novels. Tie Ning’s early work “Oh Xiang Xue” bring the dewiness that is the first image from Tie Ning and the novel “Da Yu Nu” open the ugly truth that is the other style and features. The contrast description is the same in Tie Ning’s feminine novels. The dissertator will take text study in the major way and feminism in the secondary way. The careful application theory, avoids into applying mechanically source of the theory.
The thesis is divided six chapters. The first chapter is introduction that introduces the creation growth background and the predecessor studies. The second chapter tries to sort out the female in the novels by life experience as main classified rule to three types. The third chapter treats of the other wicked female images. Take is wicked female as the subject, discusses these to want to challenge the standard female. The forth chapter is on feminine love by proceeding the second chapter. I discover that Tie Ning use contrast description in feminine love novel. The fifth chapter searches the abnormal sexual intercourse for example unfaithful sexual intercourse, tertium quid, sexual bargain. The sixth chapter is the conclusion by the active and having self female and male’s absence.
