| 摘要: | 本論文共分五章，第一章先說明研究動機與目的、文獻分析、研究方法與範圍和名詞定義。
而第二章到第四章，則透過空間、性別、道德三者不同向度，由外逐漸往內來探討《水滸傳》俠文化的特質！
首先，空間書寫：在第一節經由實質空間和生存空間的文本分析，
說明秩序空間的移轉，再投射出第二節異質空間完成後的深層意義。並 以前述異質性為前提，討論「水滸」視域的性別書寫及道德書寫。在性別書寫方面，便是呈現「水滸」視域中的人物特質與互動方式，此章經由男性、女性和兩性的互動，這三個角度來檢視《水滸》的俠文化特質。道德書寫這章，其道德議題可分為上梁山之前和之後，上梁山之前的道德議題集中在「逼上梁山」和「自願上山」；在梁山的異質空間形成之後，所面對的道德議題是集中在「梁山造反」和「招安回歸」。透過這樣的分析，來檢視梁山這個次團體是如何形成一套有別於主流社會的道德機制，以期能呈現出「水滸」視域裡特殊的道德觀。
最後，第五章結論則是透過空間、性別、道德的分析，解讀《水滸傳》俠文化是秩序與反秩序的流動與回歸。
The thesis consists of five chapters. The first chapter of this study covers the motive, purpose, literature analysis, method, scope, and explanation of terminology.
In the chapters 2-4, in terms of space, gender, and moral, the characteristics of Heroism Culture in “The Water Margin” is thoroughly conferred.
First of all, through text analysis of substantive and existing space in section 1, space writing identifies order shift and then reflects the significance after space heterotopias in section 2 is done. Secondly, take heterogeneity as the premise and discuss the horizon gender and moral writing in “The Water Margin.” Gender writing presents the characters’ special characteristics and the way of interaction in the horizon of “The Water Margin.” The distinguishing characteristics of the heroism in “The Water Margin” will be examined by male, female, and the interaction between these two genders. The subject of moral writing may be divided into two parts, before and after in Liangshan. Before in Liangshan, the moral subject mainly focuses on "compelling to Liangshan" and "volunteering to the mountains". After the heterotopias of Liangshan forms, the moral subject focuses on "Liangshan revolt" and "amnesty offer." Through such analysis, how the subgroup, Liangshan, forming a moral mechanism different from dominant society is understandable, and the special morality in the horizon of “The Water Margin” is expected to be presented.
Through the analysis of space, genders, morals, the conclusion in chapter 5 interprets the flow and the return of order and disorder in heroism culture in “The Water Margin.” |
