歷史真實與文學虛構 : 以隋唐系列小說中的「瓦崗寨」與「玄武門」情節為核心

淡江大學機構典藏 > 文學院 > 中國文學學系暨研究所 > 學位論文 > Item 987654321/34394

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題名:	歷史真實與文學虛構 : 以隋唐系列小說中的「瓦崗寨」與「玄武門」情節為核心
其他題名:	The study of Sui and Tang dynasties historical story evolution in historical romance of Ming and Qing dynasties China
作者:	謝乙德;Hshie, Yi-der
貢獻者:	淡江大學中國文學系碩士班林保淳;Lin, Pao-chun;陳葆文;Chen, Bao-wen
關鍵詞:	虛實;玄武門;瓦崗寨;歷史演義;隋唐演義;authenticity;Shanwumen;Waganjsai;historical romance;SuiTang romance
日期:	2009
上傳時間:	2010-01-11 05:14:19 (UTC+8)
摘要:	歷史演義小說長期以來受限於「虛實」的爭議，難以在文學與歷史之間找到適合的定位。因此，無論從創作者的角度出發，亦或者對進行理論批評的研究者來說，如何能夠有效地調和「文學虛構」與「歷史真實」兩者之間的分歧，必然是面對這類作品時所急需加以解決的核心論題。學界探討歷史演義的「虛實」問題時，多半都以正史內容作為判定的依準，這種研究時的預設角度，本身就存在著許多問題，進而導致相關研究多半僅聚焦於小說敘事與史傳敘事面貌差異性較大的部份進行討論，或是僅停留在進行故事考源這類基礎工作。當研究者將史書視為真實，就往往會忽略史傳敘事面貌在成形的過程中其實可能夾雜涵蘊了不少意識形態；此外，即便歷史演義小說與史書對同一史事的敘述樣貌相同，未必就僅能視為是歷史演義小說編者為了符合歷史真實進而搬抄史書的成果，有時候兩類作品採用同樣的敘事立場，反映的卻是截然不同的思想意識。本篇論文以後現代歷史學作為理論背景，重新思考史傳敘事的真實性與完整性。並透過隋唐系列歷史演義小說中的「瓦崗寨故事」與「玄武門之變」兩個歷史事件為主題，探析並檢視史傳敘事與歷史演義小說敘事之間的承襲與改編。本篇論文最終目的在於嘗試重新建構起一種新的研究進路，讓歷史演義小說的論述能夠擺脫原來存在於史書與小說之間的「虛實」框架，從更全面、更深入的角度對這類作品進行解讀。 With long-term argument of authenticity, historical romantic fiction is hard to find its due location between literature and history. It is, therefore, an urgent core issue remaining to be resolved how we can effectively balance the split between “literature fiction” and “historical truth” when facing such writings, either from work creators’ view points or for theoretical research critics. Academic investigation into authenticity of history romances is mostly based on recordation of history as a criterion, which preset attitude itself generates a few problems, causing relevant research to chiefly focus on either the larger difference between fictitious narratives and historical ones or merely on such fundamental work of story authentication. Thinking of historical books as authentic, researchers tend to neglect the fact historical narratives probably embody a few ideologies when shaping up; besides, even when historical romances bear the same appearance as historical books for one event, it cannot definitely lead to the conclusion historical romance editors copied historical books for the sake of history authenticity. Sometimes two kinds of writings adopt the same narrative standpoint, whereas totally different ideologies are echoed from inside. This thesis is founded on post-modern history as theoretical framework, re-examining the authenticity and integrity of historical narratives. Through two events in historical romances for Sui and Tang dynasty, “Waganjsai story” and “The Palace Coup of Shanwumen,” we look into issues of inheritance and adaptation between historical narratives and romantic fictions, with the goal of re-structuring a new research course enabling historical romances to get rid of original “authenticity limitation” existing between history and fiction, and inquiring into such writings from more complete and deep viewpoints.
顯示於類別:	[中國文學學系暨研究所] 學位論文

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