以是，本論文分別以「『翻譯』身份—失根漂泊的身份認同」、「『翻譯』戰事—「血仍未凝」 的進行式」、「『翻譯』身體—「千年之醒」 的自我辯證」、「『翻譯』存在—「鏡中之花」 的永恆追尋」四章作析論，並以「尹玲書寫在文學史上的時代意義」做為結論。以運用〈血仍未凝〉、〈千年之醒〉、〈鏡中之花〉等尹玲詩作的詩題作為其中幾個章節的題目，突顯出尹玲在每一個創作面向的文本精神。 The title of this essay is” Memory Burns from the Scars of War to the Gaze of a Flower ─the criticism of Yin-ling’s works”.” The Scars of War”is the sentence of the poem named” Under the Babylon’s vesper”,and” the Gaze of a Flower” is the sentence of the poem named” the Gaze of a Flower”.Both of two poems are written by poetess Yin-ling. The subjects of Yin-ling’s works are changed from cruel Vietnam war to philosophic being.The change of” From the Scars of War to the Gaze of a Flower”shows the eternal thesis of Yin-ling’s being. Yin-ling has different status included the academician, literary author,and witness of the fatherland crumbled.She tramps between many different countries,knows many different languages,and translates lots of works from French or Vietnamese to Chinese.
This essay contains five chapters-“The translation of status-the identification of outsiders”,” The translation of war- the progressive tense of blood cannot stop solidifying”, ” The translation of body- the self dialectic about the sleeplessness of chiliad”,” The translation of being- the eternal pursuit about the Gaze of a Flower ” ,” The conclusion-The era meaning of Yin-ling works in literature history”.The chapter’s topics of “Blood cannot stop solidifying”,” The sleeplessness of chiliad”,and”The Gaze of a Flower” ,are also the poetry topics written by Yin-ling.The essay uses these sentences becauses of emphasizing the variant spirit in Yin-ling’s works”.
