邱妙津生於1969年，卒於1995年。在這短短的創作生涯裡，出了四本小說，尤其是後兩本長篇小說，受到眾多讀者的喜愛及推崇，更成為女同志小說的經典作品。本論文試圖用現代文學理論結合文本分析的方式，詮釋剖析邱妙津小說之所以撼動人心之處。並且對於 邱妙津戲劇性的死亡，所造成的藝術、愛情與生命三者密不可分的特殊現象，及對邱妙津死後的所引發的種種效應，提出個人的解讀。 Chiu Miao-chin（1969-1995）wrote four novels during her temporary writing career, two of which are especially adored by plenty of readers and thereby become the classics of all literary works that deal with the writing of lesbians. This thesis attempts to interpret and analyze the origin of the charm in Ms. Chiu’s novel by way of modern literary theory and text analysis, particularly giving a personal interpretation of, first, her dramatic death, then the undivided connection among art, love, and life due to the fact of her death, and finally the various effects caused by her death.
