論文提要內容： 中國書法是日本書道的根源，並且深深影饗日本書道歷史的發展。 中國的書法藝術融入日本文化，在日本書道史上展現「中國風時代」的 輝煌。漢字書法，也就是日本所稱「唐樣書」在日本書道發展史上有過數個高峰，展現了中國書法藝術的深厚色彩。同時中國大書法家的真跡、碑帖也是日本大收藏家爭逐典藏的瑰寶，並且影響日本現代的書道出版內涵。 為了更深入了解中國書法對日本書道的影響，激發了本研究的作成。以下敘述本研究之大要： 一、研究目的 本研究之目的旨在充分了解中國書法、書家書蹟影響日本「唐樣書」歷史發展的樣貌特色，以及對現代日本書道出版內容的牽動。 二、研究文獻 本研究參考之文獻主要以日本之書道史、書論著作和出版年鑑為主。 三、研究方法 本研究從兩個面向展開，探究中國書法影響日本「唐樣書」形成與發 展的表現面貌，以及現代日本出版的書道全集所涵攝之中國書法文化內涵： 一、探索日本書法史：回溯日本書道的歷史，探索其中「唐樣書」發展的數次高峰時期與中國書法文化之連動表現，並呈現日本書論家對日本歷代「唐樣書」名家書蹟表現之中國書法特質的評斷，以佐證中國書法文化在日本書道中所呈現的鮮明風格與主導性特質；二、訪察日本書道出版：調察西元1945年到2007年日本出版的書法全集，分析其內涵的中國書法文化特色，進而訪談書道出版社之龍頭「二玄社」社長，並分析二玄社出版中國書法碑帖之特色。 四、研究內容 本研究內容依循不同研究面向之開展分為上下二篇，上篇依循日本書道進程探討中國書法對日本「唐樣書」風貌之影響，內容包含：中國書法影響日本書道之源考、中國書法對日本書道「中國風時代」的浸透、中國書法鎔鑄日本「墨蹟」的神勁、明朝書風推動「江戶唐樣」的熱潮、和北碑篆隸美學激發明治書道新變的藝境。下篇調查察分析現代日本出版的書法全集中涵攝之中國書法文化表現，內容包含西元1945-2007年日本出版書法全集的調查，以及日本書道出版龍頭「二玄社」出版中國書法碑帖的特色分析。 五、研究結果 本研究肯定，日本書道史的發展無法自外於中國書法文化而存在。 日本書道之「唐樣書」表現顯著受到中國書法文化的影響，中國書法引領著日本「唐樣書」的發展，並且形成四波發展的高峰，高峰期中的書風與重要書蹟都是受自中國書法文化的影響與結晶。到了現代，從第二次世界大戰戰後迄今日本出版的書法全集，內容包含大量的中國碑帖，和「唐樣書」教學示範、研究論著、工具書等，充分反映中國書法文化的融匯與影響。 關鍵字：書法;中國碑帖;日本書道;唐樣書;日本書道出版 Abstract: This thesis studies the development of Japan''s Chinese-style calligraphy affected by Chinese calligraphy and Chinese master handwritings. The Purpose of Study The purpose of this study focuses on the effects of Chinese calligraphy upon Japan both in Chinese-style calligraphy and publication area . The Literature This study goes through the literatures about Japanese calligraphy history ,and investigates into the prints of Japan in calligraphy field since 1945 year until 2007 year. Researching Methods The approaches to the purpose of this study including two ways: one is historical retrospect and another one is investigation . First , researching into the historical background of the causes and the manifestation of Japan''s Chinese-style calligraphy from ancient times to modern times. Second , investigating into the prints'' amount and contents of Japan''s calligraphy corpuses printed from 1945 until 2007. Further- more, interviewing with the manager of the publisher of the "ni-gan-sya" which is the number one of the calligraphy corpuses publishing both in amount and quality dimensions. The Contents This thesis including two dimensions. They are developed into seven main contents which are concerned about the causes and results relationship between Chinese calligraphy cultures and Japanese Chinese-style calligraphy performances in different times. They are the followings: 1. The historical background of Chinese calligraphy influenced upon Japan''s hand- writing. The background researching emphasizes the origin of Japan''s Chinese-style calligraphy , as well as the great master handwritings that transited from Chinese to Japan during ancient to modern times and influenced Japan''s handwriting style remarkably . 2. The influence of Chinese calligraphy on Japanese calligraphy in the "Chinese-style times". 3. The influence of Chinese calligraphy on Japan''s Zen priest ''s handwriting. 4. The influence of Chinese Ming period calligraphy on Japan''s "Chinese-style calligraphy " in the Edo period. 5. The innovated appearance of Japanese Meiji period calligraphy affected by Yang, Shou-Jing (who lived in Chinese Chin period) and Chinese epitaph calligraphy of Northern court. 6. The features of the calligraphy corpuses publishing from 1945 year to 2007 year in Japan. The features and contents of the calligraphy corpuses that influenced by the culture of Chinese calligraphy. 7. The features of Ni-Gan-Sya''s handwriting copybook of Chinese master handwritings. Conclusion of Thesis In conclusion, Chinese calligraphy effected Japanese Chinese-style calligraphy noticeably . Chinese calligraphy is the origin of Japan calligraphy, and in Japan calligraphy history it caused Chinese-style handwriting peaks in sequences and resulted in several noticeable transformations. Chinese calligraphy cultures and master handwritings have been also effected the features of Japan''s publication in calligraphy field strongly. The cultures of Chinese calligraphy from ancient to modern times have had great effect upon Japan whether in its history of calligraphy or the prints of calligraphy .
