| 摘要: | 論述楷法的建構可包含字體的三種涵義：文字的形體、書寫的字體、書法家的字體。三個層面交互探討，方能將楷書的發展過程建構出來。然而楷書是直接脫胎於隸書的，因此探討楷書的發展應從隸書著手，而非無限上溯。到了三國時期，楷書筆法已是相當普遍的書寫原則。而六朝時期，南朝與北朝書法風格，分別影響楷書筆法、結構的發展，奠定了唐代楷書的規模。唐初楷書的風格雖然已不具北朝碑刻的雄強氣勢，但仍然以北方質樸精神為主。歐陽詢、虞世南、褚遂良除了在藝術成就上具有其一定的影響力之外，在政治上、學術上，亦為唐代初期的重要人物。在楷法的建構過程中位居關鍵地位。歐陽詢、虞世南分別總結了楷書結構與用筆的觀念。到了褚遂良，成功融合了南北書風，總結楷法的建構。
The Construction of the techniques of Standard Calligraphy standing on 3 aspects of Chinese characters, which are the shape of characters, the letterform of standard hand-writing, and the letterform of calligrapher-writing. We have to discuss these 3 aspect at the same time, in order to reveal the developing process of Standard Calligraphy. Standard Calligraphy is born from a clerical style of calligraphy, therefore, we will prob into the clerical style rather than tracking back limitlessly. During the era of The Three Kingdoms period, the writing of Standard Calligraphy had already being a common way of writing. The Standard Calligraphy of Tang Dynasty formed its style mainly in the era of Southern and Northern Dynasties. In the early years of Tang, the Standard Calligraphy style was no longer as tough as Northern Dynasty Calligraphies, but it still held the essence of rustic northern concept. Xun Ouyang, Shi-nan Yu, and Sui-liang Chu were the VIPs of the early years of Tang, they not only made great influence by their achievements in art, but also were authorities in politics and academia. Because of their contribution, they were very important to the construction of Standard Calligraphy as well. Xun Ouyang concluded the form of Standard Calligraphy characters; Shi-nan Yu settled the concept of the usage of writing brush, and Sui-liang Chu successfully combined the style of Southern and Northern Dynasties'' writing, established the base construct of Standard Calligraphy. |
