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    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/34335


    Title: 廖鴻基海洋書寫研究(1995-2007)
    Other Titles: On the ocean writing of Hong-ji Liao
    Authors: 黃慧真;Huang, Hui-zhen
    Contributors: 淡江大學中國文學系碩士班
    呂正惠;Lu, Cheng-hui
    Keywords: 廖鴻基;海洋書寫;Hong-Ji Liao;Ocean Writing
    Date: 2007
    Issue Date: 2010-01-11 05:10:33 (UTC+8)
    Abstract: 本論文是為對廖鴻基海洋書寫的全面梳理。
    全書從95年作品《環保花蓮》談起,依序討論《討海人》、《鯨生鯨世》、《漂流監獄》、《來自深海》、《尋找一座島嶼》、《山海小城》、《海洋遊俠》、《台11線藍色太平洋》、《漂島》、《領土出航》、《台灣島巡禮》、《腳跡船痕》《海天沉浮》等作品,共14本書、12年創作軌跡,並將其寫作劃分為海洋書寫的開展、海洋書寫的擴大、及海洋書寫的深化。
    綜觀廖鴻基的創作,其書寫歷程恰為讀者例示了,一個從生活中掙脫出來的自然觀察者,在面對本地環境問題時,如何在長期親涉自然田野的觀察體驗中,不斷加深與拓展自己的思考,而亟思立基於本地的歷史、社會、文化脈絡,來建構屬於台灣的環境倫理及保育文化。並由於對土地特性及自然歷史的認知,廖鴻基認為應從生態觀點來看台灣,而提出了「海洋台灣」的新倫理價值。因此,在抒述人與自然關係的時候,乃是以「海洋」作為其託寓對「自然」深刻情感的對象,並極具開創性地豐富了自然書寫的領域及精神面貌。
    而透過細緻綿密的書寫,他所欲建構的是海洋台灣的意象及海洋文化的所在,當中有海洋、有海岸並亦有陸地的觀點與想像。在「空間語境」的開發,他從沿海海域寫起,逐步擴展至近海、至遠洋,最後回到所住居生長的陸地,寫出了漁人與海的牽連對應,魚類生存的故事,鯨豚觀察的經驗,海洋保育的想法,以及被遺忘的海岸的故事等。而在「時間意識」的意蘊,他從自然歷史的角度出發,溯尋了自然與人文交疊互動的歷程軌跡,並試著去看到土地的景貌“為何”是這樣,而它“如何”變成現在這樣,以及,更重要的,出現了什麼樣因素促成或決定了這些改變的“速度”與“方向”,以便提示如今立足於土地上的我們,能做些什麼來阻止它繼續受到殘害的狀況。
    透過文字書寫,廖鴻基向我們展示了另一種觀看台灣的視野及想像,也提供了我們對另一種生活方式及價值的思考,幫助我們面對物質社會的壓力。廖鴻基的創作截至目前為止,已取得了一定的、亮眼的成績。我們誠摯希望,作家在其後文學性的書寫中,能不斷自我成長、超越,為讀者帶來更細緻、藝術價值更高的作品。
    This thesis is a thorough study of the ocean writing of Hong-Ji Liao from 1995 to 2007. Broadly, the dissertation is divided into three major parts and aims to explore the environmental issues that the author concerns and confronts with and how he ponders over and reacts to deal with the harsh situation.
    The first chapter is to give a full explanation of why selecting Hong-Ji Liao as the research subject and make clear how I’m going to organize and present my framework. As for the second, third and fourth chapter, in addition to respectively analyzing the characteristic style of the author’s works, I’ll also try to probe the ideas guiding his literary creation and see how stage by stage the author comes to realize man’s place in nature and attempts to broaden his horizons and deepen his cognition of ecological thought and awareness through systematically participating in environmental practices in the local community and incessantly re-examining the environmental discourse in Taiwan in the specific social and historical contexts. With regard to chapter five, it is conclusion.
    In an overall view, the ocean writing of Hong-Ji Liao provides us a new look to observe Taiwan from an ecological perspective and helps us to shape and develop the environmental ethics and conservation philosophy of our own. There’s still a lot to do to promote the ecological awareness and movement in our society and Hong-Ji Liao’s texts are definitely the ones that can attract the attention of and open the discussion among the public.
    Appears in Collections:[Graduate Institute & Department of Chinese] Thesis

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