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    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/30072

    Title: L'analyse de Legend Lin Danse-Théâtre dans Miroirs de Vie: la reproduction du sens culturel d'un rite à un spectacle
    Other Titles: 無垢舞蹈劇場《醮》之分析:文化意義再生產─ 從民間儀式走向劇場展演
    Analysis of legend of legend lin dance theatre: the reproduction of the cultural construction from a rite to the performance
    Authors: 劉展岳;Liu, Chan-yueh
    Contributors: 淡江大學法國語文學系碩士班
    蔡淑玲;Tsai, Shu-ling
    Keywords: ;無垢舞蹈劇場;全球化;文化再生產;文化認同;Legend;Legend Lin Dance theater;Globalization;Identity;Miroirs de vie;Legend Lin Danse-Theatre;Mondialisation;Reproduction du sens culturel;Identite culturelle
    Date: 2008
    Issue Date: 2010-01-10 23:19:44 (UTC+8)
    Abstract: 亙古以來,文化、藝術與表演三者間一直建立著相當密切的關係。許多藝術作品其創作的靈感往往來至於對傳統或在地文化發展及改變的感發與省思。而在藝術作品創作與展演過程中,藉由新的美學概念及當代的表現手法,同時間也賦與了文化新的意義與價值。
    Culture, arts and performances have been established between the three in a close relationship. Many works of art inspired by their creativity often come from the traditional or cultural development and to the sense of change and reflection. The Showcase of works of art and creative process, by the new aesthetic concepts and practices of contemporary performance, also gives at the same time new meaning to the culture and values. Research on dance culture in recent years, research and development of new channels. By the choreographer''s creative process, motivation and meaning in the works for dance and aesthetics of the analysis, the creation of works by the formation and the impact of further understanding of cultural development. 30 zone, the impact of globalization, Western modern dance with the Western concept of the body gradually for the development of dance in Taiwan have a tremendous impact. However, inter-cultural itself leads to differences, many Western body movements, concepts, and not necessarily suitable for Asians body. This is because of the physical reaction, which is a part of a cultural show. Therefore, in the 1970s, many Taiwanese choreographers gradually find themselves in physical culture and traditional thinking is the art of composition process, the creation of the many good works. Legend of Dance theater Wugou is one of those examples. Choreographer Li-Chen Lin using civilian Zhongyuan Festival and the cultural element of personal life experience on the stage to show the people in Taiwan for the body of cultural identity. Therefore, through this work, it let us to think again, in the development of works of art, that there is not a traditional culture to a new life and meaning and further development of culture methods.
    Appears in Collections:[Graduate Institute & Department of French] Thesis

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