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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/30070

    Title: La mondialisation et l'identité de la ville : une recherche sur la reproduction du sens spatial de la Biennale d'Art Contemporain de Lyon
    Other Titles: 全球化與城市認同 : 論里昂當代藝術展之空間意義再生產
    Globalization and city identity : a case study for the reproduction of spatial meaning in the Lyon biennale of contemporary art
    Authors: 莊雅惠;Chuang, Ya-hui
    Contributors: 淡江大學法國語文學系碩士班
    梁蓉;Liang, Jung
    Keywords: 全球化;城市;認同;里昂當代藝術展;Globalization;city;identity;Lyon biennale of contemporary art;Modialisation;ville;identité
    Date: 2006
    Issue Date: 2010-01-10 23:19:38 (UTC+8)
    Abstract: 自二十世紀末以來,全球化現象即引起各界熱烈的討論;從來也沒有一個名詞和全球化一樣,能夠跨越文化、語言與地域的限制,進入每一個人的生活當中。簡言之,「全球化」即是我們今日的生活方式。
    After WWII, the prosperous capitalism and the innovation of technology are changed the spatial structure of the world. Under the influence of globalization, the world space is recombine constantly and proceeding the transformation of “territorialization”, “deterritorialization” and “reterritorialization”. For example, the notion of national frontier which build after WWII, replace progressively by the international associations. Cultural and political communications between countries are also transfer from nation to city. The city is become the main actor in the international stage. Therefore, in this ere, a new need of identity is born, that is the identity of city. The city government was invested a lot of money to improve the quality of infrastructure and try to construct the identity of citizens. However, what is the real intention of the government? Here we take Lyon as an example and try to analyzing the real propose of this new construction of identity.
    Appears in Collections:[法國語文學系暨研究所] 學位論文

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