莒哈絲《勞兒之劫》之劫

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Title:	莒哈絲《勞兒之劫》之劫
Other Titles:	The "Ravishing" in "The Ravishing of Lol V. Stein" of Marguerite Duras
Authors:	陳姿伊;Chen, Tzu-yi
Contributors:	淡江大學法國語文學系碩士班林春明;Lin, Chun-ming
Keywords:	劫;二元性;回想;遺忘;有機式的踰越;Ravishing;duality;Memory;forgetting;organic transgression
Date:	2009
Issue Date:	2010-01-10 23:19:25 (UTC+8)
Abstract:	五十幾本小說、十幾部劇本、十幾部電影並參與電影執導，跨足了多方面的領域，七十多部作品，以平均一年至少一本的數量增長，法國作家瑪格麗特．莒哈絲（Marguerite Duras, 1914-1996）的一生，直至生命尾聲，都全心全意地奉獻給寫作。本論文以莒哈絲創作生涯中期之作品《勞兒之劫》《Le Ravissement de Lol V. Stein, 1964》為討論文本，論及「劫」（ravissement）所代表的意涵。從論述莒哈絲筆下的「劫」開始，並以創作歷程的轉變為相互關照的時間點，試圖釐清「劫」的雙重特性（劫持／被劫持）。「劫」的運作過程中所觸及的內在經驗的表現以「回想式的動機」（motif de la mémoire）這般的形式出現。至此，分析勞兒所遭遇到「不可能」、「無以名狀」的慾望模式，進而討論莒哈絲對於主體越界的看法。承接上述論述，來看《勞兒之劫》勞兒之遺忘記憶、記憶遺忘的「遺忘原型」；透過「遺忘」勞兒不斷的藉由語言的形式，不斷的重組。而此般，遇「劫」之遭遇、困境，帶動了主體進行「有機式的踰越」（transgression organique）。 According to the change of theme or style of a writher, the“Cycle of Indian”plays the turning point in the career of writing of Marguerite Duras. On the one part, compared to the earlier works, it has less description and linear logicality of story； On the other part, it starts the period of creation of movie, theater and scenario. In the “Cycle of Indian”, I choose“The Ravishing of Lol V. Stein”to be my text of discussion. The word－“Ravishing” plays the important role in this work. I have compared and analyzed the meaning of Ravishing of Marguerite Duras. I discussed the duality of the chosen word and the organic transgression by M. Duras.
Appears in Collections:	[Graduate Institute & Department of French] Thesis

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