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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/30064

    Title: La perdurabilité dans le temps perdu : Étude de la représentation du temps dans 2046 à la lumière des réflexions de Barthes sur la photographie dans La Chambre claire
    Other Titles: 流逝時光裡的永恆:以巴特在《明室》中對攝影之探思論《2046》中的時間呈現
    The perdurability in the lost time:study on the representation of time in 2046 in light of barthes's reflections upon photography in La Chambre claire
    Authors: 余孟儒;Yu, Meng-ju
    Contributors: 淡江大學法國語文學系碩士班
    蔡淑玲;Tsai, Shu-ling
    Keywords: 王家衛;羅蘭巴特;明室;照相攝影;La chambre claire;photography;Wong Kar-wai;Roland Barthes;2046;photographie
    Date: 2008
    Issue Date: 2010-01-10 23:19:23 (UTC+8)
    Abstract: 《2046》是香港知名電影導演王家衛2004年所發表的第八部作品,同時也是其眾佳作當中,票房相當成功的一部劇情片。《2046》講的是一個關於愛情與回憶的故事。片名中的數字點出王家衛由香港九七回歸所引發的創作靈感,因為「2046」正象徵著中國政府在1997年所提出之「五十年香港政經體制不變」的允諾,而公元2046年即為五十年期限的最後一年。王家衛用他獨特的時空調度,把此項政治承諾轉化成愛情裡永恆而美麗的遺憾。如果這世上有永恆不變的東西,那會是什麼?電影的劇情圍繞著這個問題,而追不回的時間便是尋找答案的關鍵所在。
    Released in 2004, 2046 is the Hong Kong filmmaker Wong Kar-wai’s eighth feature, and also one of his successful motion pictures. As can be seen explicitly in the entitled number, ‘‘2046’’ represents the last year of the fifty years deadline in which China had promised that there would be no change in Hong Kong’s political and economic system after this city’s handover to China from Britain on the 1 July, 1997. If there’s something abiding in the world, what would it be? The complicated plot of 2046 focuses on this question inspired from the political promise, and relative to the irreversibility of time.
    In this thesis we try to look into the representation of Time in 2046 through Roland Barthes’s reflections upon photography in his last work, La chambre claire (1980). Based on the space-time visualized in the photo, Barthes’s opinions help us to clarify the number ‘‘2046’’, which is meant to be a place where things remain immovable against the time passing in the protagonist’s science fiction. Furthermore, we discuss the director Wong’s execution and idiosyncrasy to see how the Time plays as a key role in the whole narrative structure of 2046, but also a key role that connects this film with the other Wong’s movies shot before.
    Appears in Collections:[法國語文學系暨研究所] 學位論文

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