English  |  正體中文  |  简体中文  |  Items with full text/Total items : 51491/86611 (59%)
Visitors : 8255313      Online Users : 85
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/30064


    Title: La perdurabilité dans le temps perdu : Étude de la représentation du temps dans 2046 à la lumière des réflexions de Barthes sur la photographie dans La Chambre claire
    Other Titles: 流逝時光裡的永恆:以巴特在《明室》中對攝影之探思論《2046》中的時間呈現
    The perdurability in the lost time:study on the representation of time in 2046 in light of barthes's reflections upon photography in La Chambre claire
    Authors: 余孟儒;Yu, Meng-ju
    Contributors: 淡江大學法國語文學系碩士班
    蔡淑玲;Tsai, Shu-ling
    Keywords: 王家衛;羅蘭巴特;明室;照相攝影;La chambre claire;photography;Wong Kar-wai;Roland Barthes;2046;photographie
    Date: 2008
    Issue Date: 2010-01-10 23:19:23 (UTC+8)
    Abstract: 《2046》是香港知名電影導演王家衛2004年所發表的第八部作品,同時也是其眾佳作當中,票房相當成功的一部劇情片。《2046》講的是一個關於愛情與回憶的故事。片名中的數字點出王家衛由香港九七回歸所引發的創作靈感,因為「2046」正象徵著中國政府在1997年所提出之「五十年香港政經體制不變」的允諾,而公元2046年即為五十年期限的最後一年。王家衛用他獨特的時空調度,把此項政治承諾轉化成愛情裡永恆而美麗的遺憾。如果這世上有永恆不變的東西,那會是什麼?電影的劇情圍繞著這個問題,而追不回的時間便是尋找答案的關鍵所在。
    本論文試圖援引法國作家羅蘭巴特生前最後一部著作《明室攝影札記》中關於照片的論述,探討《2046》中的時間呈現。在1980發表的這本散文集中,巴特特別關注照片上「停留住的時間」,強調「被拍者」與「觀者」的時空差距與情感關係。此論點正好解釋了電影中「2046」這個號碼在男主角筆下的特殊意義:2046年,在「2046」這個地方,所有事物均不會改變。此外,本文更透過王家衛的個人影像風格了解「時間」在此電影裡所扮演的重要角色:它不僅是整部作品敘事結構的靈魂,更是連結《2046》與王家衛先前其他電影作品的關鍵線索。
    Released in 2004, 2046 is the Hong Kong filmmaker Wong Kar-wai’s eighth feature, and also one of his successful motion pictures. As can be seen explicitly in the entitled number, ‘‘2046’’ represents the last year of the fifty years deadline in which China had promised that there would be no change in Hong Kong’s political and economic system after this city’s handover to China from Britain on the 1 July, 1997. If there’s something abiding in the world, what would it be? The complicated plot of 2046 focuses on this question inspired from the political promise, and relative to the irreversibility of time.
    In this thesis we try to look into the representation of Time in 2046 through Roland Barthes’s reflections upon photography in his last work, La chambre claire (1980). Based on the space-time visualized in the photo, Barthes’s opinions help us to clarify the number ‘‘2046’’, which is meant to be a place where things remain immovable against the time passing in the protagonist’s science fiction. Furthermore, we discuss the director Wong’s execution and idiosyncrasy to see how the Time plays as a key role in the whole narrative structure of 2046, but also a key role that connects this film with the other Wong’s movies shot before.
    Appears in Collections:[法國語文學系暨研究所] 學位論文

    Files in This Item:

    File SizeFormat
    0KbUnknown305View/Open

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback