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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/30060

    Title: 論布希亞的《美國》 : 美國形象的生產與消費
    Other Titles: On the "Amérique" of jean baudrillard : the production and the consumption of American's image
    Authors: 陳采怡;Chen, Tsai-yi
    Contributors: 淡江大學法國語文學系碩士班
    吳錫德;Wu, Hsi-deh
    Keywords: 美國形象;符號消費;擬仿物;擬像;超真實;內爆;沙漠;American’s Image;consumption of signs;simulacra;simulations;hyperreality;implosion;desert;Imaginaire americain;consommation des signes;simulacre;simulation;hyperrealite;implosion;desert
    Date: 2009
    Issue Date: 2010-01-10 23:19:12 (UTC+8)
    Abstract: 布希亞於不同時期有著不同之觀點模式,亦有不同的解讀表達。「美國形象」便是在如此框架背景下而形塑。因此,本論文分為三個章節,探究美國形象的生產與消費。
    Baudrillard has the different modes that are comprehensive in his different periods. “American’s Image” is formed and constructed in such frame and background. Therefore, we attempt to classify this thesis into three chapters, and to investigate the Production and the Consumption of American’s Image.
    Chapter one, according to Baudrillard’s works, we define the American’s Image on his mind. Then, in his theory of the “consumption of signs”, we make clear the relation of the circulation mode. Furthermore, concerning the American’s Image, how to produce the meanings in the mass media? Chapter two, 70''s in 20th century, Baudrillard changes his point of view, he emphasizes the new theory of the “Simulacra” and finds the mode of the production of the American’s Image. He infers from the function of the mass media that the consumer society, full of images, transfers itself into the “simulacra society”. In addition, in the theory of the simulacra, he analyzes the connection and the difference between “reality image” and “simulacra”, and with the help of the “simulations”, he obtains the concept of “hyperreality”. The American’s Image is established in “the simulacra” as a kind of contemporary specific Utopia society. Finally, the last chapter, we returned to the «Amérique», and put emphasis on the cultural critique of the circulation of the American’s Image by the logic consumption. Baudrillard criticizes that America has a special modernity (no history) which affects the whole social culture. Furthermore, when the American society is occupied entirely, the mass media and the publics are in the situation of the “implosion”. The American society is filled with images, signs, TV, publicities, etc; therefore, it gets into the world of the “desert”.
    Appears in Collections:[法國語文學系暨研究所] 學位論文

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