English  |  正體中文  |  简体中文  |  Items with full text/Total items : 49200/83641 (59%)
Visitors : 7097979      Online Users : 57
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/30047


    Title: 巴什拉的想像力與在Jean-Pierre Jeunet電影《艾蜜莉的異想世界》的運用
    Other Titles: Gaston bachelard's imagination and his pratice in the Jean-Pierre Jeunet's le fabuleux destin d'amélie poulain
    Authors: 彭懋龍;Peng, Mao-lung
    Contributors: 淡江大學法國語文學系碩士班
    林春明;Lin, Chun-ming
    Keywords: 想像力;意象;遐想(夢想);加斯東‧巴什拉;尚-皮耶‧居內;巴黎;內在性;Imagination;Paris;Image;Reverie;Jean-Pierre Jeunet;Gaston Bachelard;Intimacy;Image;Imagination,;Gaston Bachelard;Jean-Pierre Jeunet;Paris;Intimite;Reverie
    Date: 2007
    Issue Date: 2010-01-10 23:18:37 (UTC+8)
    Abstract: 本論文乃以加斯東‧巴什拉的想像力理論觀念為研究主題,企圖發展出一種結合想像力理論與電影研究的新視野。透過巴什拉的想像力論觀點來閱讀電影《艾蜜莉的異想世界》,來探討想像力與電影之間的相關性。巴什拉說意象與想像力兩者的關係,就好比作用力與反作用力的關係,援引電影《艾蜜莉的異想世界》中的段落來印證巴什拉想像力理論中所陳述的概念,如物質想像力、動力想像力、物質性通感、詩意空間。巴什拉所提出的「內在性」概念,則為闡明上述觀念的關鍵所在。
    另外,也企圖運用巴什拉的想像力理論以新的視野來觀賞電影,也就是巴什拉所說的以「詩人的創作意志」來閱讀電影作品,跳脫「實證理智」觀點的束縛,探索人的內心世界、內在感受。
    巴什拉將想像力分為「形式想像力」和「物質想像力」兩種。前者所觸及的是事物的表象,所反應的是一外在感覺。相反地,後者則能夠深入內在,表達出內在感受。唯有物質想像力才能深入,才能理解內在。這也就是說,唯有深入意象的根源,我們才能汲取源源不絕的養分,才能找到意象的源頭活水,才能與天地萬物共鳴交感。
    本論文主要分成三個章節,第一章為介紹巴什拉想像力理論中的相關概念,第二章與第三章則是《艾蜜莉的異想世界》的電影分析。我們以巴什拉想像力理論的概念,來做為電影分析的理論架構。在第二章中,我們所探討的是遐想(夢想)與電影間的關係,尤其是童年的遐想(夢想)激發電影導演許多創作上的靈感,同時也給電影創作者帶來創造性的想像力。在第三章裡,我們則是著重在電影空間上的探討,電影的「詩意空間」是最動人、也是最具美感與電影魅力的所在。
    Gaston Bachelard’s imagination is our fundamental theory of this thesis, we try to develop a new vision conbiming Bachelard’s theory of imagination and study of film. In point of vue of Bachelard to read Jean-Pierre Jeunet’s Le Fabuleux Destin d’Améliie Poulain/ Améliie (2001), to study the coherence between imagination and cinema. Bachelard think the relation between image and imagination is like action and reaction. And we try to show some sequence of film to testify Bachelard’s theory of imagination, such like:imagination of material,imagination of dynamics, correspondence material,poetic space etc. Bacheiard’s notion of intimacy is a key word for understanding his theory about imagination.
    And we also try to read Améliie in a new perspective of the creative will of a poet, to escape from the habit of positive spirit, to explore the inner world of our heart and our sensory feeling.

    This thesis divides into tree chapters: Chapter one is “Notion of imagination”, describe the idea of Bachelard’s imagination. Chapter two “Poetic of reverie and Amélie, a dreamer”and Chapter three “ Read the poetic space in Le Fabuleux Destin d’Améliie Poulain”, we discussed the practical part of theory in Amélie.
    Appears in Collections:[法國語文學系暨研究所] 學位論文

    Files in This Item:

    File SizeFormat
    0KbUnknown382View/Open

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback