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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/28319


    Title: Remapping Ozu’s Tokyo? The Interplay between History and Memory in Hou Hsia-Hsien’s Café Lumière
    Authors: 吳怡芬;Wu, I-fen
    Contributors: 淡江大學英文學系
    Keywords: cafe Lumiere;Hou Hsiao-Hslen;historical interpretation;urban Tokyo
    Date: 2008
    Issue Date: 2010-01-07 10:03:31 (UTC+8)
    Publisher: Asian Cinema Studies Society (ACSS)
    Abstract: This essay will argue that the film's representation of urban Tokyo is shaped by the director's concern with history to discuss its connections with memory. This paper aims to explore how memory has gained in value as a site of historical interpretation, and how history and memory relate closely to a wider reconsideration of the shifting cultural landscape of modern society. This paper aims to explore how memory has gained in value as a site of historical interpretation, and how history and memory relate closely to a wider reconsideration of the shifting cultural landscape of modern society. Hou's representation of modern society also heightens the necessity to consider the linkage between past and present, opening up the possibility that is more than just to remember the past and consequently conceive the present.
    Relation: Asian Cinema 19(1), pp.172-182
    Appears in Collections:[英文學系暨研究所] 期刊論文

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