English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 62797/95867 (66%)
造訪人次 : 3737900      線上人數 : 450
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/28205


    題名: The Sino-American Copyright Issue: A Taipei View
    作者: 紀秋郎;Chi, Ch'iu-lang
    貢獻者: 淡江大學英文學系
    日期: 1987-06
    上傳時間: 2010-01-07 09:50:29 (UTC+8)
    出版者: 淡江大學資訊與圖書館學系
    摘要: It can be argued that in most cases the Chinese publisers on Taiwan are not infringing on the copyright of the American publishers or authors because (1) The Republic of China has not joined the Universal Copyright Convention; (2) the copyright laws of both countries make registration with the government in the country mandatory for legal protection; (3) since the majority of Chinese publications are not published in the United States or in a member country of the Universal Copyright Convention, they are not eligible for copyright protection according to the manufacturing clause of the American law; (4) Strict1y speaking, the word piracy or infringement can be applied only to those cases in which the concerned titles are duly registered for protection in accordance with the Chinese law, and the flowing back of unauthorized reproductions to countries of origin. Ploman and Hamilton state ironically that there is nothing universal about copyright. Indeed, one can even say that what is universal is the so-cal1ed book piracy problem, and the desire of all peoples to be educated and to participate in cultural life and scientific advancement (Universal Declaration -of Human Rights, 1948). Importation and exploitation of scientific and cultural materials from a developed country to a developing country is a common phenomenon, and one may wel1 cal1 in question whether it is real1y unethical. It is indeed unethical not to give credit and encourage authors and artists, but it can be more unethical to consider knowledge as commodity or as monopoly of publishers and authors. What is needed is a more open attitude towards cultural materials which, as in the ancient noncommercial oriented societies like China and India, should be in the public domain as much as possible . The traditional concept of copyright originated in the fifteenthcentury west. Its resultant system has grown rigid and outworn jacket for this Information Age. It is high time that we review it in the light of the pressing needs of cross-cultural communication. The Sino-American copyright issue in particular is such a problem. It can be satisfactorily resolved only by giving more consideration to the needs of the people for information and culture than those of the authors or the publishers.
    關聯: 教育資料與圖書館學 24(4),頁337-352
    顯示於類別:[英文學系暨研究所] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    index.html0KbHTML15檢視/開啟
    The Sino-American Copyright Issue: A Taipei View.pdf3814KbAdobe PDF18檢視/開啟

    在機構典藏中所有的資料項目都受到原著作權保護.

    TAIR相關文章

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - 回饋