《夢窗詞甲稿》自度曲韻律分析

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题名:	《夢窗詞甲稿》自度曲韻律分析
其它题名:	Rhythm analysis of significance in Wu wen-ying’s homemade song
作者:	普義南
关键词:	夢窗;吳文英;自度曲;韻律
日期:	2021-03
上传时间:	2023-04-28 17:16:56 (UTC+8)
出版者:	Yamaguchi University;Tamkang University
摘要:	自度曲是通曉音律的詞人自己譜寫新的詞調，不僅是詞體生命力的象徵，也是詞人獨創性的極致表現，兩宋通曉音律者柳永、周邦彥、姜夔、吳文英等詞人都有自度曲創作。明代毛晉所刻《夢窗詞甲稿》〈西子妝慢〉以及下面連續八調，目前確定為夢窗自度曲。萬樹云「今雖音理失傳，而詞格具在」，因此本文即以這九調夢窗自度曲為研究對象，分析其詞格韻律，首先分析其韻位、換頭增韻、韻部的用韻方式；其次分析其律拗變化、四聲用字之字律組合；最後分析其句組領字、對偶之特殊句律。藉此歸納出夢窗詞自度曲韻律特色，一窺詞人文藝創新之堂奧。 The “homemade song” means the new tonal patterns and rhyme schemes of Ci poetry that created by the poet who acquainted with temperament. It’s not only a symbol of vitality of Ci poetry, but also represents the ultimate expression of Ci poet’s originality. During the two Song Dynasties, many Ci poets such as Liu Yong, Zhou Bang-yan, Jiang Kui and Wu wen-ying wrote down their own home made songs. The ‘Hsi-tzu-chuang-man” and the following eight Ci tonal patterns included in the “Mengchuang Ci Chia Kao” edited by Mao Jin in Ming Dynasty were identified as Wu wen-ying’s homemade song. Wanshu had said, “Although the soundology was lost, but the Ci patterns is still there.” This is why this article will focus on these nine Wu wen-ying’s homemade songs, to analyze their tonal patterns and rhyme schemes such as the position of rhyme, the skill of using rhyme, the diversification between rules and exceptions. Finally, I want to sum up the conclusion of the rhythm features of Mengchuang Ci’s homemade songs, to revel the characteristic of his literary innovation.
關聯:	Journal of East Asian Identities 6, 頁104-113
显示于类别:	[中國文學學系暨研究所] 期刊論文

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