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    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/122860

    Title: 朝向多重寫實性:論林龍吟《蚵豐村》中臺灣新電影寫實主義美學的承繼與轉化
    Authors: 林庭瑩
    Keywords: 寫實主義美學;臺灣新電影;後-新電影;巴贊式寫實主義;感知寫實主義;《蚵豐村》;林龍吟;侯孝賢
    Date: 2022-09-30
    Issue Date: 2023-04-28 16:17:50 (UTC+8)
    Publisher: Chung-Wai Literary Monthly
    Abstract: 本文透過對於從臺灣新電影到「後-新電影」寫實主義美學的再思考,探究臺灣新世代導演林龍吟以十六釐米膠卷所拍攝的《蚵豐村》(2019),如何於電影美學及影像風格層面展現與臺灣新電影的延續與轉化關係。本文以巴贊式的寫實主義和普林斯所提出的「感知寫實主義」為思考框架,嘗試指出,《蚵豐村》一方面承繼了臺灣新電影的巴贊式寫實主義美學傳統;而另一方面,同時又藉由揉雜多重寫實性的影像創置,結合3D後製影像的組構,在數位影像時代體現了感知寫實主義,而進一步轉化原有的臺灣新電影寫實主義美學,在臺灣「後-新電影」世代構建嶄新而具異質性的寫實主義美學路徑。
    Relation: 中外文學 Chung Wai Literary Quarterly 51(3), 頁25-54
    DOI: 10.6637/CWLQ.202209_51(3).0003
    Appears in Collections:[Graduate Institute & Department of Information and Communication] Journal Article

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