English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 60861/93527 (65%)
造訪人次 : 1498640      線上人數 : 9
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/117299


    題名: The Collapse of the Soviet Century: Cinema's Finite Look into the Infinite
    作者: Callow, James
    日期: 2017-10-27
    上傳時間: 2019-10-05 12:11:54 (UTC+8)
    摘要: 2017 is the centenary of the Soviet Revolution. It is also the speculative year in which Alexei German Jr.’s 2015 film, Under Electric Clouds, is set. German’s film, like good science fiction, reflects on the present and recent past. This paper connects German’s film to others from the former USSR that appeared in the aftermath of the collapse of the Soviet Union, notably Kira Muratova’s The Asthenic Syndrome (1990), Artur Aristakisyan’s Palms (1994), and Alexander Sokurov’s Russian Ark (2002). Linking these films is the withdrawal of vision into blindness, where ‘vision’ is presented in both senses: as plain sight and as teleology, that conceptual idea of the progress of history. The writing of history, howevercontentiously, offers the retrospective representation of past events. Cinema operates in the present tense, excepting historical recreation as a costume pageant which follows the re-writing of history as literature. Cinema of its time forms the artefacts of history, the manner of looking, or representing, at a moment in time. What these films demonstrate is the persistent obscuring of vision, where vision is torn away from the signifying criteria of language and politics, leaving only the persistence of looking. German’s film reiterates that continued withdrawal of vision amid the drastic reshaping of the former Soviet Bloc. As the iconography of the most teleological of political systems is gradually erased, its symbols nothing but fleeting, finite entities, German’s cinema maintains a relentless gaze into a future history that is both infinite and blind.
    顯示於類別:[英美語言文化學系] 會議論文

    文件中的檔案:

    沒有與此文件相關的檔案.

    在機構典藏中所有的資料項目都受到原著作權保護.

    TAIR相關文章

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - 回饋