| Abstract: | 青春電影一直以來是國內學者研究的焦點，有別於以往的青春電影，2010年左右，兩岸華語的青春電影開啟一波密集的青春電影懷舊風潮，從2007年《不能說的秘密》一直到去年的《六弄咖啡館》，兩岸華語青春電影的懷舊風潮系列就多達三十幾部，因此本研究以以往青春電影的研究為基礎，進一步探討青春電影以懷舊敘事手法，研究愛情與社會變遷下的青春成長與懷舊議題。以四部電影《致我們終將逝去的青春》、《我的少女時代》、《中國合夥人》、《女朋友‧男朋友》為例。
研究發現1980年代的青春電影，因兩岸的政治社會變遷而影響到男女主角的愛情觀，但兩岸電影所呈現的風格卻截然不同，中國青春電影呈現青春的陰鬱、悔暗面向較多，而台灣青春電影的小清新風格展現懷舊氣氛的正向性。另外，在社會政治變遷的影響下，兩岸的青年學子在面對未來與夢想的時候也表現出不同的價值觀與對未來的渴望，兩岸青年都有著那個年代的美國夢，探究其追尋原因與初衷發現文本隱藏了中國與台灣的不同社會脈動與文化意涵。
Youth film has always been the focus point of domestic scholars, different from the previous youth film, around 2010, cross-strait Chinese youth film start a wave of intensive youth film nostalgia, "Secret" and "At Café 6" from 2007 until last year, youth film in Chinese was produced over 30 movies. The study of the youth film in the past, to further explore the young film to nostalgic narrative techniques, the study of love and social change, discuss the issue of the youth growth and nostalgia. To the four films "So Young", "Our Times", "American Dreams in China", "GF*BF" as an example for this study.
The study found that the youth film of the 1980s, because of cross-strait political and social changes affect the male and female love of the concept, but the style of the cross-strait film is very different, the Chinese youth film showing the gloomy youth, The small freshness of youth film shows the positiveness of the nostalgic atmosphere. In addition, under the influence of social and political changes, the young students on both sides of the strait also show different values and cravings for the future dream. Both sides of the Taiwan Straits have the American dream of that era and explore the reasons, we found that the text hides the different social pulsation and cultural implications of China and Taiwan. |
