陶淵明現今在中國文學史上的地位，和東晉時自不可同日而語。特別在宋代，他的地位被推至史上的高峰，其中最大的功臣，非蘇軾莫屬。蘇軾究竟用什麼方式提升陶淵明的地位，是一個值得探討的論題。 本研究用接受美學為主要的研究方法，並以蘇軾為時間上的分水嶺，略述蘇軾之前和蘇軾之後歷代陶淵明的接受情況，以凸顯蘇軾所扮演的關鍵角色。 以文本為核心，分析蘇軾與陶有關的作品，以及他對陶淵明思想和詩文的闡釋與評價；進一步提出時人及後人對蘇軾此類作品的解讀與評論，以見蘇軾在文壇上的影響力。綜上所論，便可得知蘇軾是如何提升陶淵明在文學史上的地位的。 It’s quite different if we compare the place of literary history for Tao Yuan-ming with Eastern Jin Dynasty. Especially in Song Dynasty, his place was enhanced the highest ever. The man for enhancing his place was none other than Su Shi. It’s worthy to discuss for how his way to enhance Tao Yuan-ming’s place.
This research use Reception Theory as main method and have Su Shi as the time fence. Discussing the status of reception before and after Su Shi to highlight the key role for him.
Firstly, analyzing the articles related to Su Shin, his comments and elaboration for Tao Yuan-ming’s thinking and poems. Furthermore, we find some comments for this kind of articles by him to prove the literary influence of him. Therefore, we can understand how Su Shi to enhance the place of literary history for Tao Yuan-ming as above mentioned.
