淡江大學機構典藏:Item 987654321/112965
English  |  正體中文  |  简体中文  |  Items with full text/Total items : 62830/95882 (66%)
Visitors : 4156465      Online Users : 712
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/112965


    Title: The Poetics of Asian Minimalism: Long Take/Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu
    Other Titles: 亞洲極簡主義的詩學:小津安二郎、侯孝賢、是枝裕和電影的長鏡遠景美學
    Authors: I-fen Wu
    Keywords: Long Take and Long Shot;Asian Minimalism;Ozu Yasujiro;Hou Hsiao-Hsien;Kore-eda Hirokazu;Non-anthropocentrism
    Date: 2017-12
    Issue Date: 2018-03-15 12:10:47 (UTC+8)
    Publisher: 中央大學藝研所
    Abstract: This paper attempts to flesh out suggestions about the use of the long take and long shot in East Asian Cinema. Such stylistic features attest the quick mobility of popular cultural influence in contemporary East Asia, and imitation among directors. The shooting style that Ozu Yasujiro and Hou Hsiao-Hsien have employed through their distanced and fixed camera positioning, and their preference for the long take, has resurfaced in the work of a few younger filmmakers in Asia. In particular, Hou has established the distant long shot and static long take as expressive and denotative devices in themselves, laying the basis of a regional style that David Bordwell has called an "Asian Minimalism." Considered to be influenced by Ozu's and Hou's style, the films of Kore-eda Hirokazu are linked by stylistic concerns. Indeed, Kore-eda's films help in any reconsideration of the use of the long take/long shot in contemporary Asian cinema. The three Asian filmmakers' favoured use of the long take/long shot seems to be a product of shared cultural/historical experience and not exclusively attributable to authorship. Starting by questioning an aesthetic tendency that seems so prevalent in recent East Asian films, this paper probes cultural meanings conveyed by use of the long take and long shot beyond the assumption of western film theory, in hopes of explaining "Asian Minimalism" better and tracing its significance.
    Relation: Journals of Art Studies 21, p.209-237
    Appears in Collections:[Graduate Institute & Department of English] Journal Article

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML184View/Open
    The Poetics of Asian Minimalism Long Take Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu.pdf895KbAdobe PDF1View/Open

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback