English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 52047/87178 (60%)
造訪人次 : 8689046      線上人數 : 192
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/112965

    題名: The Poetics of Asian Minimalism: Long Take/Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu
    其他題名: 亞洲極簡主義的詩學:小津安二郎、侯孝賢、是枝裕和電影的長鏡遠景美學
    作者: I-fen Wu
    關鍵詞: Long Take and Long Shot;Asian Minimalism;Ozu Yasujiro;Hou Hsiao-Hsien;Kore-eda Hirokazu;Non-anthropocentrism
    日期: 2017-12
    上傳時間: 2018-03-15 12:10:47 (UTC+8)
    出版者: 中央大學藝研所
    摘要: This paper attempts to flesh out suggestions about the use of the long take and long shot in East Asian Cinema. Such stylistic features attest the quick mobility of popular cultural influence in contemporary East Asia, and imitation among directors. The shooting style that Ozu Yasujiro and Hou Hsiao-Hsien have employed through their distanced and fixed camera positioning, and their preference for the long take, has resurfaced in the work of a few younger filmmakers in Asia. In particular, Hou has established the distant long shot and static long take as expressive and denotative devices in themselves, laying the basis of a regional style that David Bordwell has called an "Asian Minimalism." Considered to be influenced by Ozu's and Hou's style, the films of Kore-eda Hirokazu are linked by stylistic concerns. Indeed, Kore-eda's films help in any reconsideration of the use of the long take/long shot in contemporary Asian cinema. The three Asian filmmakers' favoured use of the long take/long shot seems to be a product of shared cultural/historical experience and not exclusively attributable to authorship. Starting by questioning an aesthetic tendency that seems so prevalent in recent East Asian films, this paper probes cultural meanings conveyed by use of the long take and long shot beyond the assumption of western film theory, in hopes of explaining "Asian Minimalism" better and tracing its significance.
    關聯: Journals of Art Studies 21, p.209-237
    顯示於類別:[英文學系暨研究所] 期刊論文


    檔案 描述 大小格式瀏覽次數
    The Poetics of Asian Minimalism Long Take Long Shot Stylistics in the Films of Ozu Yasujiro, Hou Hsiao-Hsien and Kore-eda Hirokazu.pdf895KbAdobe PDF0檢視/開啟



    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - 回饋