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    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/111242

    Title: 唐詩史論述中的分期說研究 : 以「四唐」源流衍變為主
    Other Titles: A research on the traditional frame of tang poetry
    Authors: 陳猷青;Chen, Yu-Ching
    Contributors: 淡江大學中國文學系博士班
    顏崑陽;Yen, Kun-Yan
    Keywords: 唐詩分期;四唐;文學史;辨體;Divisions of Tang Poetry;Four phases;Literature history;Literati Groups
    Date: 2016
    Issue Date: 2017-08-24 23:47:46 (UTC+8)
    Abstract:   唐詩的發展歷程其實也是一種歷史,可是要對歷史進行論述卻並不是一件容易的事,因為曾經具體實存過的歷史無法重現,而以書寫歷史的型態加以論述,卻又充滿著各式各樣的侷限,包括論述者的企圖、預設、評價、選擇等,都會使得對於歷史的概括更形複雜;而四唐說作為一個直接面對以唐詩作為對象的分期研究方式,當它在歷史中逐漸衍流變化,並輾轉於詩學史上各個具體詩學家、詩評家、詩選家之手,漸次形構成對於唐詩史的詮釋架構時,它也成了歷史。
      The development of Tang poetry, in certain aspects, resonated Chinese history. Somehow, it is extremely difficult to precisely analyze the non-reproducible progress. To comment on recorded history with narrative based on a written record or other documented communication has its own limits. The narrators’ intention, perspectives, values, and reasoning approach seldom show silver lining on the study of history.
      The “Theory of Four phases in Tang Poetry” concentrates on the evolution and divisions of Tang Poetry. The literary criticisms in different dynasties steps by steps generated an overview of Tang Poetry, while these attempts ended up to be the traces of history.
      This article aims at carefully inspecting whether “Theory of Four phases in Tang Poetry” can serve as the best source to comprehend and interpret the history of Tang Poetry by analyzing the establishment and coherence of the frame of the Theory. The “Theory of Four phases” were served as a frame and sources to better understand Tang Poetry.
      Certain sources such as literature review, poetry critics and anthology of poems, indeed, differentiate from each other, because of a lack of coherence-based reasoning, and because of different point of views and methods. Albeit these sources appear to support the “Theory of Four phases,” these schools aimed at different targets such as “the decline and renewal of empires and political entities”, “Literati Groups of Poetry”, and just to name a few. Thus definition of “Four phrases” never conforms to one another.
      My notion is to clarify and to carefully exanimate the history of Tang Poetry and related contest. This differs from the highlight on simple divisions of “four phrase” as compassion of historical progress. The contextual analysis of Tang Poetry will be based on the references to the history of Tang Poetry, chronicled by timeline.
    Appears in Collections:[Graduate Institute & Department of Chinese] Thesis

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