English  |  正體中文  |  简体中文  |  Items with full text/Total items : 49645/84944 (58%)
Visitors : 7701965      Online Users : 89
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/111221


    Title: 明清神魔講史小說研究
    Other Titles: A study on the historical tales of genies composed in Ming and Ching Dynasties
    Authors: 謝乙德;Hsieh, Yi-Der
    Contributors: 淡江大學中國文學系博士班
    林保淳;黃復山;Lin, Po-Chun;Huang, Fu-Shan
    Keywords: 平妖傳;封神演義;三寶太監西洋記通俗演義;女仙外史;鋒劍春秋;Ping Yao Zhuan;Fengshen Yanyi;His Yang Chi;Nv Xian Wai Shi;Feng Jian Chun Qiu
    Date: 2016
    Issue Date: 2017-08-24 23:47:17 (UTC+8)
    Abstract: 自從魯迅《中國小說史略》問世以來,很少有小說研究者不受其影響,其建立的中國小說類型架構具有極為重要的典範意義,成為許多研究者詮釋、解讀中國古代小說的主要範式。然而,包含魯迅本人,乃至於後起不少研究者其實都已隱約覺察到魯迅所架構的小說類型並不是沒有調整、討論的空間,其中有為數不少的作品同時具備有多種類型的特徵,無法被簡單加以歸類。當類型歸屬曖昧難明,直接導致的是研究者評價、解讀作品產生了混亂與偏差,因而不少作品長期遭受忽視,甚或是接受了極為不公平的批判。

    本篇論文選擇跳脫既定的類型觀念,重新探討《平妖傳》、《封神演義》、《三寶太監西洋記通俗演義》、《女仙外史》以及《鋒劍春秋》五部作品。這五部作品長期夾處在「講史」及「神魔」兩種類型之間,難以清楚劃分歸類,因此除了研究上對於文本的解讀顯得極為不足外,更是充斥著各種先入為主、不甚公允的偏見評價。

    最為妥當的作法莫過於將這五部作品自行劃出一種名為「神魔講史」的新類型,並且重新以不帶任何先見的眼光重新檢視這類作品,進而發掘出專屬於這類作品的優點與特色。論文研究大致分為三個部份:第一部分是針對這種「歷史」與「神魔」融合的創作風格進行溯源,從史傳以降的敘事傳統中梳理出神怪(魔)元素與歷史敘事間不斷參雜、交融的脈絡。第二部份針對五部作品一一進行檢視,就各部作品創作素材(故事本事)、寫作策略以及創作思想與主題進行仔細的探討,重新發現這五部作品的特色與價值。第三部份則針對五部作品在故事題材、情節設計、主題意涵以及角色物件的構思與運用所呈現出來的共同特質進行整理歸納,藉以總結出這類作品的共性。

    本篇論文從一種新的類型角度,透過從題材到文本內容呈現的詳細檢視,將作者的創作思維以及作品的思想內涵發掘出來,藉以凸顯這類作品的思想深度以及文學性價值,略微修正學界長期未經深入探討卻先入為主產生的負面評價。
    Hardly any fiction researchers have been free from the far-reaching influence imposed by Lu Xun ever since his “A Brief History of Chinese Fiction” was published decades ago. The structure types of Chinese fictions established by Lu Xun are regarded as a paradigm that has guided many researchers to annotate and interpret ancient Chinese fictions over the past years. Nevertheless, many researchers of the younger generation, including Lu Xun himself, had indistinctly sensed that no one could affirm the structure types created by Lu Xun had no room for adjustment and improvement as they noted a number of works had been classified as more than one structure type because these works were unable to fit into any single type. Researchers were confused by the ambiguous classification and had hard time understanding the classification method. As a result, the evaluations and interpretations made by researchers were disorganized and biased. This is why many works have been neglected and unfairly criticized for a long time.

    The author reexamined five works, namely, “Subjugation of Demons”, “The Legend of Deification”, “The Popular Romance of Eunuch Sambo’s Voyage to the West”, “The Unofficial History of Female Immortals”, and “The Warring Period of Swords”, from a brand new standpoint without using the classification method established long time ago. Actually, the five works have been classified ambiguously somewhere between “historical tales” and “genies” for a long time because there was no way to classify them with no doubt at all. Discouraged by the ambiguous classification method, many researchers were reluctant to interpret the texts. What’s more, there are all kinds of biased evaluations made by malicious researchers out of their preconceived notions.

    “Historical tales of genies”, a brand new category devised by this paper, is most appropriate for the five works. The works were examined once again with no prejudice in an attempt to identify the advantages and features associated with the works. This paper is divided into three parts. In Part 1, thorough search was made to investigate the style of creation in which “history” and “genies” were blended with each other; the context of demons (devils), which had been constantly mingled with historic narrations, were sorted out from the narrative tradition subsequent to historical fictions. In Part 2, the five works were examined one after another; the materials involved in creations (story line), the writing strategies, the ideas guiding the creation, and the topics of the five works were carefully examined so as to recover the characteristics and values associated with the five works. In Part 3, the common characteristics manifested by various elements of the works, such as the subject matter of story, the plot design, the implication of subject matter, the conception of the roles and objects, were classified and summarized so as to sum up the characteristics of this category.

    Starting with a brand new structure type, this paper carefully examined the five works’ topics and texts, and thus identified the authors’ thinking behind their creations as well as the thoughts implied by the five works so as to present the thoughts and literary merits of the works contained in this category and, at the same time, moderately revise the negative evaluations made by researchers out of preconceived notions without in-depth exploration.
    Appears in Collections:[中國文學學系暨研究所] 學位論文

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML12View/Open

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback