淡江大學機構典藏:Item 987654321/109224
English  |  正體中文  |  简体中文  |  Items with full text/Total items : 62830/95882 (66%)
Visitors : 4039816      Online Users : 995
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://tkuir.lib.tku.edu.tw/dspace/handle/987654321/109224


    Title: The Poetic Forms of Shakespeare’s Three Single-Sentenced Sonnets
    Authors: 王緒鼎
    Keywords: Shakespeare's sonnets;New Formalism;diction;syntax;poetic skills
    Date: 2016-12-31
    Issue Date: 2017-01-13 02:10:45 (UTC+8)
    Publisher: Knowledge Hub Publishing Company
    Abstract: With a New Formalist critical approach, this paper attempts to explore the poetic forms of the three single-sentenced sonnets (12, 15 and 29) by William Shakespeare, focusing on their poetic diction, artistic skills of figurative language, and unique syntactical and structural patterns. In examining the poetic language or verbal characteristics of the three sonnets, the paper will emphasize the importance of the poetic forms that are sidestepped by other critical interpretations. The poetic forms are important because they not only display unique artistic skills and create distinctive poetic effects but also possess signifying power, pointing to main ideas of the poems. Thus the paper argues that the poetic forms of the three sonnets are not only important organic parts of the poems but also help form and develop their complicated meanings. The paper first investigates Sonnets 12 and 15 by closely comparing some similar poetic diction in both poems, as it illustrates not only “the best words in their best order,” but is also loaded with crucial signifiers of the important themes, such as to preserve youth and beauty through procreation and eternal verse. Then, the paper will carefully compare and contrast Sonnets 12, 15 and 29, focusing on their syntactical and structural patterns, as all the three sonnets contain interesting similarities and striking differences in terms of grammar, syntax, structure and meanings. Moreover out of all Shakespeare’s 154 sonnets, these three are commonly accepted by modern editors as the only ones written in just one single sentence. Through analyzing the unique poetic forms of the three sonnets, we can clearly see how Shakespeare skillfully unifies the artistic poetic forms with important themes.
    Relation: Forum for World Literature Studies 8(4), p.548-571
    Appears in Collections:[Graduate Institute & Department of English] Journal Article

    Files in This Item:

    File SizeFormat
    index.html0KbHTML50View/Open

    All items in 機構典藏 are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback