English  |  正體中文  |  简体中文  |  Items with full text/Total items : 56378/90242 (62%)
Visitors : 11683592      Online Users : 28
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library & TKU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/104692

    Title: Le Mariage de Figaro: un texte fondamental dans l'histoire du feminisme?
    Authors: 孟丞書
    Keywords: Beaumarchais;Condition feminine;Libertin;Pardon;Solidarite
    Date: 2002-06
    Issue Date: 2016-01-06 11:07:22 (UTC+8)
    Abstract: he Marriage of Figaro was played for the first time in 1784, 5 years before the French Revolution. Beaumarchais was not a revolutionary, but because of its insolence and its incisive criticism of the Old Regime, this comedy has been considered as dreadful by Louis XVI. However, the play had a huge success. Beaumarchais loved women and The Marriage of Figaro is certainely a 'feminine' play. Four women are portrayed: the na□ve Fanchette, the ardently feminist character of Marceline, Susanna, Figaro's fianc□e, and the Countess. The feminist diatribe delivered by Marceline should disabuse many of the notions that women's rights are a product of the nineteenth or even twentieth century. What is particularly progressive about Beaumarchais' assessment of the status of women is his understanding of the economic basis for their oppression. The anachronistic "droit du seigneur" (a lord can deflower any bride from his estate on her wedding night) contributes to the play's anti-establishment agenda. The story reflects an aversion to sexual harassment. The main target of Beaumarchais' attack is the aristocratic system, which accords privilege on the basis of birth. But more than a battle between master and servant, the play is a battle between men and women. Susanna and the Countess are resolved to confound the unfaithful husband. Beaumarchais exposed the tool's game that the gallantry of men reserves for women: "Even in the highest ranks, women obtain from you merely a derisory consideration: deluded by the appearance of respect, in real servitude, treated as minors for our assets, punished as majors for our faults!" (III, 16). For it is true that women, namely the Countess and Suzanne, but not the commoners against the nobility, are the ones who come out victorious from the play. And the Count has to beg their pardon.
    Relation: Journal of Humanities 16, pp.99-115
    Appears in Collections:[法國語文學系暨研究所] 期刊論文

    Files in This Item:

    File Description SizeFormat

    All items in 機構典藏 are protected by copyright, with all rights reserved.

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library & TKU Library IR teams. Copyright ©   - Feedback