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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/101733

    Title: 城市文化空間再現 : 以高雄國際貨櫃藝術節為例
    Other Titles: Spatial representation of urban culture : Kaohsiung International Container Arts Festival
    Authors: 李姿儀;Lee, Tzu-Yi
    Contributors: 淡江大學法國語文學系碩士班
    Keywords: 貨櫃藝術節;貨櫃空間;情境;擬像;塗鴉;在地文化;空間再現;Container Arts Festival;Container space;situation;simulation;graffiti;Local Culture;representation of space
    Date: 2014
    Issue Date: 2015-05-04 09:16:29 (UTC+8)
    Abstract: 空間是構成一個社會的最基本元素。隨著科技的進步、時代的變遷和文化的交流,空間可以是一種符號、一種情境象徵、一種實踐。「貨櫃」這個代表海洋城市港灣工業重要經濟命脈的載體,如何運用塗鴉裝置藝術和載體空間的創作,彰顯「流通」、「移轉」、「交換」來呈現城市在地文化的面貌,藉此進而創造了新的空間模式,在生產再生產的過程中改變了人類的活動方式及思考方式。



    第三章以1996年丹麥哥本哈根「貨櫃96 ─ 藝術跨洋」和2013年澳洲布里斯本貨櫃藝術節暨街頭小吃嘉年華與2001年高雄國際貨櫃藝術節三者作為相互比較個案,探討三者之間的相異性。透過藝術評論者的分析,針對現階段高雄國際貨櫃藝術節的不足,在未來進一步的加強改善及發展。
    Space constitutes a fundamental element of society. It can be a symbol, a symbol of a situation, a practice with advances in technology, communication and cultural changes of the times. “Container”, a transportation hub, symbolizing an important economic lifeline of the marine city, how to use creative graffiti art installations and carrier space to highlight the “circulation” , “transfer” , “exchange” to render the urban spectacle in the local cultural city. Human’s activity and thinking has changed in the production and reproduction process, thereby thus creating a new spatial modes,

    The main direction in the first chapter, is to introduce the development of the theory of social space. First by the concept of Henri Lefebvre, The Production of Space, a book of production of space and three-part dialectic of theory. Then, we discuss the space of spectacle and the concept of situationism from The Space of Spectacle of Guy Debord and the concept of simulacrum space by Simucres et Simulation of Baudrillard to outline the cultural evolution of space.

    In the second chapter, we summarize the concept of each year in Kaohsiung International Container Arts Festival. We’ll combine the theory of space of the first chapter to evoke on the importance of the local culture with citizen participation. In order to allow the local city demonstrate its energies of unique local arts and cultures, encourage citizen participation in artistic and cultural activities, and then promote recognition of the city among local citizen with the concept of “Sustainable City”, 2007.

    The third chapter will compare Copenhagen, Denmark “Container 96 ─ Art Across Ocean” in 1996 and Brisbane “Containerval Festival” in 2013 and Kaohsiung International Container Arts Festival in 2001 to each other. According to analysis of art critics, we can improve and develop augmently in the future Arts Festival.
    Appears in Collections:[Graduate Institute & Department of French] Thesis

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