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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/101728

    Title: 列斐伏爾的空間再生產 : 以閒置空間再利用為例
    Other Titles: Henri Lefebvre's reproduction of space : a study of reusing of unused spaces
    Authors: 王友嫈;Wang, You-Yin
    Contributors: 淡江大學法國語文學系碩士班
    吳錫德;Wu, Hsi-Deh
    Keywords: 列斐伏爾;空間理論;空間的生產;閒置空間再利用;空間再生產;Henri Lefebvre;spatial theory;the production of space;Unused Spaces;the reproduction of space
    Date: 2014
    Issue Date: 2015-05-04 09:16:23 (UTC+8)
    Abstract: 列斐伏爾提到,空間雖然表現為中性的,看起來是客觀的,但就其本質來說,空間是政治性的空間,特別是城市空間強烈的表現出政治經濟的痕跡。空間的占有與劃割都是政治經濟地位的體現,形成獨有的文化和社會型態。空間被納為現代資本主義的生產模式:被利用來生產剩餘價值。城市的各種設施都成了資本的一部份,為了生產剩餘價值,空間成了商品,可以被消費、複製、以及再生產。
    Henri Lefebvre contends that material "space" is essentially a political domain. More specifically, urban space is an active representation of how economic theory and methods influence political ideology; the planning of urban space is a manifestation of political norms which then shape society and culture. The capitalist system appropriates urban space to generate profit. Urban facilities and buildings become capital assets; as such, planning of urban space can now be consumed, replicated and reproduced for business purposes.

    This thesis applies Henri Lefebvre''s space production theory to three cases of abandoned spaces being reproduced to become valuable assets by rethinking their function, orientation and historical significance. The selected cases are Musee d’Orsay in France, Huashan1914 Creative Park in Taipei and Pier-2 Art Center in Kaohsiung, Taiwan.
    Appears in Collections:[Graduate Institute & Department of French] Thesis

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