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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/101632

    Title: 關漢卿旦本雜劇的詞彙風格 : 以代詞、成語典故為例
    Other Titles: Study on the lexicon style of Guan Hanging's womens drama with focus on Chinese idioms, Chinese allusions and pronuns
    Authors: 席宏達;Hsi, Hong-Da
    Contributors: 淡江大學中國文學系碩士班
    高婉瑜;Kao, Wan-Yu
    Keywords: 關漢卿;旦本雜劇;詞彙風格;代詞;成語典故;Guan Hanging;Womens Drama;lexicon Style;pronuns;Chinese Idioms and Allusions
    Date: 2014
    Issue Date: 2015-05-01 16:12:43 (UTC+8)
    Abstract: 關漢卿是元代最具代表性的劇作家之一,他以本色風格見長,劇本曲盡人情、人物個性鮮明、語言俐落流暢為其最大的特色。關作中又以旦本劇的女性形象塑造的成就特高,稱為是本色當行的典範。關漢卿的劇作與人物形象,不只在元代雜劇,甚至是中國戲曲裡,都佔有非常重要的地位。


    Guan Hanging was the one of the most representative drama writers in Yuan dynasty. The stories of his dramas are realistic and the personalities of the characters are distinctive and lifelike. Moreover, he was skilled at describing the different faces of women in his dramas, which can be considered classic in this field. For this part, he was very eminent. Guan’s works and the image of the characters he created played an important role not only in Yuan’s dramas but also in Chinese’s dramas.

    The thesis is based on the language and lexical style which is one of the most crucial subfields in language style. Dramas academic plays an important role in this research. Especially, scripts, characters, and writer''s styles. These are highly related to dramas academic. The thesis is underpinned by lines of the characters in his dramas and his lexical style, extending to the correlation between the characters, scripts, and the writer’s style. Emphasizing on the connection with different aspects is an innovative way to explore language style. Guan Hanging dramas’ style is thus an good example to be discussed.

    The thesis has 5 chapters. The first is introduction which includes research motive, contents of Guan''s works, the pervious results and reviews conducted by others, research methods, and lexical-related researches. In the second chapter, the research focuses on the pronouns used in Guan''s dramas. It starts by discussing the meaning of pronouns style and then it shows the statistics data. Afterwards, it talks about the exhibition of pronouns styles and the relationship between pronouns used in Guan''s works from dramas academic’s point of view. In the third chapter, it investigates idioms and allusions in Guan''s dramas. It starts with explaining the meaning of the idioms and allusions. From dramas academic''s perspective, Statistics data were used not only to observe the style of idioms and allusions but also to analyze the relationship between idioms and allusions themselves. The fourth chapter compares Guan Hanging with three other writers for the pronouns, idioms and allusions by sampling their dramas to prove the results conducted in previous chapters. Finally, it concludes the lexical style that Guan possesses by investigating the style of pronouns , idioms and allusions, and the relationship between them.
    Appears in Collections:[中國文學學系暨研究所] 學位論文

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