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    Please use this identifier to cite or link to this item: http://tkuir.lib.tku.edu.tw:8080/dspace/handle/987654321/101625

    Title: 宋代檃括詞「再創作」意義研究
    Other Titles: The significance of derivative work by Yin Kuo Chi in Song dynasty
    Authors: 林心媔;Lin, Hsin-Mien
    Contributors: 淡江大學中國文學系碩士班
    顏崑陽;Yen Kun-yang
    Keywords: 檃括詞;外語境;內語境;語境轉換;再創作;依存關係;Yin Kuo Chi;external context;internal context;reproduction;context transformation;dependence relationship
    Date: 2014
    Issue Date: 2015-05-01 16:12:33 (UTC+8)
    Abstract: 「檃括詞」最主要的文體特徵即是:「必然依存在某一個確定而且可指認的前人作品」上;而此文體特徵,卻使得「檃括詞」被後世學者認為是「模仿」、「抄襲」,甚至「剽竊」,以至於貶低它的文學價值。然而,宋代創作「檃括詞」的作者卻不乏大家,例如:蘇東坡、黃庭堅、賀鑄、米友仁、晁補之、劉克莊、劉將孫 … 等等。甚至南宋時期,更出現詞人林正大,專門創作檃括詞。

    因此,有鑒於「檃括詞」的意義與價值,長期受到誤解;本論文即拋開學界對「檃括詞」既定的負面評價和傳統的研究方法,另從「語境( context of words )」的詮釋視域,對「檃括詞」的再創作意義與文學價值,進行深入研究。

    本論文分為五章。首先,解釋「檃括」一詞的原義,以及運用於指稱一種特殊文體的涵義。接著,以「檃括詞」之「主題 ( theme )」為基準,將所有作品進行分類,以期了解一首檃括詞和其所依存之原作間,主題內容的承變關係。然後,從「語境」的詮釋視域,審視檃括詞與原作「同中有異」之處,從而發掘一首「檃括詞」的個殊意義;接著,又以四種面向梳理檃括詞與原作之間「異中有同」的依存關係。最後指出「檃括詞」在沿承原作的意象或文化傳統之外,實有不同於原作的再創造性意義。

    The mainly literary form of Yin Kuo Chi is depended on predecessors’

    literary work, it has been under the bad impression that is copied or

    plagiarized for a long time. However, there have a few masters of Song Chi

    were created Yin Kuo Chi. But also, in Southern Song Dynasty, had a poet

    only wrote Yin Kuo Chi.

    According to the misconception of Yin Kuo Chi, the mainly research

    purpose of this thesis is trying to find significance and value of Yin Kuo Chi

    by did not use traditional methods, but from the idea of context of words

    to start this topic.

    Finally, this thesis expanding a new viewpoint about how to annotate

    Yin Kuo Chi, and furthermore, founding a different judging way of Yin Kuo Chi.
    Appears in Collections:[中國文學學系暨研究所] 學位論文

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